1 00:01:20,060 --> 00:01:22,361 [KIDS TALKING] 2 00:01:22,428 --> 00:01:23,930 Man: ATTENTION, FRESHMEN! 3 00:01:23,996 --> 00:01:25,999 YOUR ATTENTION, PLEASE! I MUST HAVE YOUR ATTENTION. 4 00:01:26,066 --> 00:01:28,001 HOW DO YOU DO? I'M THE PROCTOR. 5 00:01:28,067 --> 00:01:30,903 PLEASE! FACULTY ADVISERS ARE WAITING INSIDE TO HELP YOU MAKE OUT YOUR PROGRAMS. 6 00:01:30,970 --> 00:01:33,907 ALL RIGHT, EVERYBODY MAY COME INTO THE MAIN HALL NOW. 7 00:01:33,974 --> 00:01:37,744 QUIET! SINGLE FILE, PLEASE! SINGLE FILE! 8 00:01:37,811 --> 00:01:38,345 NO PUSHING! 9 00:01:38,411 --> 00:01:40,614 NO PUSHING, PLEASE! 10 00:01:40,680 --> 00:01:42,015 I WANT YOU TO FOLLOW ME, STUDENTS! 11 00:01:42,082 --> 00:01:44,851 TAKE YOUR TIME! 12 00:01:48,622 --> 00:01:51,324 Proctor: NO PUSHING! NO PUSHING, PLEASE! 13 00:01:51,390 --> 00:01:52,959 I WANT YOU TO FOLLOW ME, STUDENTS! 14 00:01:53,026 --> 00:01:55,429 TAKE YOUR TIME! 15 00:01:55,495 --> 00:01:57,063 HI. 16 00:01:57,130 --> 00:01:58,297 HURRY UP, YOUNG MAN. 17 00:01:58,364 --> 00:02:01,201 CAN'T YOU SEE YOUR ADVISER IS WAITING? 18 00:02:01,268 --> 00:02:02,369 HELLO. I'M MR. McCANNIS. 19 00:02:02,435 --> 00:02:03,302 AND I'M DOBIE GILLIS. 20 00:02:03,369 --> 00:02:03,369 SIT DOWN. 21 00:02:03,369 --> 00:02:04,838 THANK YOU. 22 00:02:04,904 --> 00:02:07,240 I'M HERE TO WELCOME YOU TO GRAINBELT UNIVERSITY 23 00:02:07,307 --> 00:02:09,375 AND TO HELP YOU PREPARE A PROGRAM OF STUDIES. 24 00:02:09,442 --> 00:02:11,410 OH, THAT'S TERRIBLY DECENT. 25 00:02:11,477 --> 00:02:14,514 NOW, WHAT SUBJECTS WOULD YOU LIKE TO STUDY? 26 00:02:14,581 --> 00:02:16,349 WELL, I DON'T RIGHTLY KNOW. 27 00:02:16,416 --> 00:02:17,984 WHAT ARE YOU INTERESTED IN? 28 00:02:18,051 --> 00:02:19,752 WOMEN. 29 00:02:19,819 --> 00:02:23,156 PERHAPS YOU WOULD LIKE TO STUDY OBSTETRICS. 30 00:02:23,223 --> 00:02:25,092 NO. I'M NOT THAT INTERESTED. 31 00:02:25,158 --> 00:02:26,926 HOW ABOUT HISTORY OR ECONOMICS? 32 00:02:26,993 --> 00:02:27,928 NO. NO. 33 00:02:27,994 --> 00:02:29,262 CHEMISTRY? PHYSIOLOGY? 34 00:02:29,329 --> 00:02:30,363 NO. NO. 35 00:02:30,430 --> 00:02:31,564 LAW? ENGINEERING? NO. NO. 36 00:02:31,631 --> 00:02:33,566 THEY ALL SOUND LIKE SO MUCH WORK. 37 00:02:33,633 --> 00:02:35,234 YOU DON'T APPROVE OF WORK? 38 00:02:35,301 --> 00:02:36,736 IT'S ALL RIGHT FOR WORKERS. 39 00:02:36,803 --> 00:02:38,271 I BEG YOUR PARDON? 40 00:02:38,338 --> 00:02:39,672 I HAVE A THEORY. 41 00:02:39,739 --> 00:02:41,408 THERE ARE TWO KINDS OF PEOPLE: 42 00:02:41,475 --> 00:02:43,276 THOSE WHO WORK AND THOSE WHO ENJOY. 43 00:02:43,342 --> 00:02:44,811 THE WAY I LOOK AT IT, 44 00:02:44,877 --> 00:02:46,646 WORKERS OUGHT TO WORK, AND ENJOYERS OUGHT TO ENJOY. 45 00:02:46,713 --> 00:02:49,616 AND YOU, OF COURSE, ARE AN ENJOYER. 46 00:02:49,683 --> 00:02:52,385 WELL, I DON'T LIKE TO BRAG, BUT... 47 00:02:52,452 --> 00:02:54,387 I'M PROBABLY THE GREATEST ENJOYER, 48 00:02:54,454 --> 00:02:56,723 POUND FOR POUND, IN THE ENTIRE STATE. 49 00:02:56,790 --> 00:02:58,124 I SEE. 50 00:02:58,191 --> 00:03:01,494 I'M AFRAID YOU WILL HAVE TO TAKE SOME COURSES, THOUGH. 51 00:03:01,561 --> 00:03:04,197 THE UNIVERSITY RULES ARE SPECIFIC ON THAT POINT. 52 00:03:04,264 --> 00:03:07,667 WHY DON'T YOU LOOK THIS OVER AND COME BACK TOMORROW? 53 00:03:07,734 --> 00:03:09,069 THANK YOU. 54 00:03:10,537 --> 00:03:11,938 KID, I'M WITH YOU. 55 00:03:12,005 --> 00:03:13,773 I HEARD WHAT YOU TOLD THE OLD GUY. YOU'RE HIP. 56 00:03:13,840 --> 00:03:15,775 YOU KNOW WHAT I MEAN? YOU'RE PLUGGED IN. 57 00:03:15,842 --> 00:03:18,478 WHY, THANK YOU. MY NAME IS DOBIE GILLIS. 58 00:03:18,545 --> 00:03:19,745 CHARLIE TRASK. GIVE ME A HAPPY FIVE. 59 00:03:19,812 --> 00:03:19,812 HOW ARE YOU? 60 00:03:19,812 --> 00:03:21,548 STAYING AT THE DORM? 61 00:03:21,615 --> 00:03:21,615 YEAH. 62 00:03:21,615 --> 00:03:23,016 GOT A ROOMMATE YET? 63 00:03:23,083 --> 00:03:23,083 NO. 64 00:03:23,083 --> 00:03:24,851 I'M WITH YOU. 65 00:03:24,918 --> 00:03:26,520 SWELL. 66 00:03:26,586 --> 00:03:30,691 UH...WHAT DO YOU SAY WE GO LOOK FOR SOME DAMES, HUH? 67 00:03:30,757 --> 00:03:32,092 I'M WITH YOU. 68 00:03:41,134 --> 00:03:43,103 [BAND PLAYING] 69 00:03:54,080 --> 00:03:55,481 [MUSIC ENDS] 70 00:03:55,548 --> 00:03:57,317 THIS IS OUR ANNUAL FRESHMEN GET-TOGETHER, 71 00:03:57,384 --> 00:04:00,186 AND THAT MEANS THAT ALL YOU FRESHMEN HAVE GOT TO GET TOGETHER, 72 00:04:00,253 --> 00:04:03,322 SO YOU KIDS WITHOUT PARTNERS, STEP OUT AND FIND YOURSELF ONE 73 00:04:03,389 --> 00:04:07,027 BECAUSE IN A VERY FEW MINUTES, WE'RE GOING TO START THE SQUARE DANCE. 74 00:04:07,094 --> 00:04:08,794 [APPLAUSE] 75 00:04:08,861 --> 00:04:11,731 WOWEE! DOBIE, LOOK AT THAT, WILL YOU? 76 00:04:11,798 --> 00:04:12,733 YEAH. 77 00:04:12,799 --> 00:04:13,966 LOOK AT THAT. 78 00:04:14,033 --> 00:04:16,669 [KIDS TALKING] 79 00:04:16,736 --> 00:04:19,038 DID YOU EVER SEE ANYTHING SO BUILT IN YOUR WHOLE LIFE? 80 00:04:19,105 --> 00:04:20,440 YEAH. 81 00:04:22,976 --> 00:04:24,811 LOOK, DOBIE. SHE'S COMING THIS WAY. 82 00:04:24,878 --> 00:04:26,679 SHE'S COMING THIS WAY. LOOK, DOBIE. 83 00:04:26,746 --> 00:04:28,514 NO, NOT OVER THERE, OVER HERE. 84 00:04:28,581 --> 00:04:31,518 NO, YOU LOOK OVER HERE, SEE WHAT I FOUND. 85 00:04:31,584 --> 00:04:34,054 WELL, HERE I AM, YOU LUCKY DEVIL. 86 00:04:34,121 --> 00:04:36,756 STEP ASIDE, BOY. I WANT HIM. 87 00:04:36,822 --> 00:04:37,857 HEY! 88 00:04:37,923 --> 00:04:41,561 WELL, KID, I GUESS YOU END UP WITH ME. 89 00:04:41,628 --> 00:04:43,563 YOU AIN'T MUCH. 90 00:04:43,630 --> 00:04:46,532 THAT'S WHAT I LIKE-- A GIRL WHO SPEAKS HER MIND. 91 00:04:46,599 --> 00:04:47,567 WHAT I LIKE IS YOUR BOYFRIEND, 92 00:04:47,634 --> 00:04:50,670 SO DON'T GET ANY IDEAS, BUSTER. 93 00:04:50,737 --> 00:04:54,140 IT'S TOO LATE. I ALREADY GOT THEM. 94 00:04:54,207 --> 00:04:54,841 HELLO. 95 00:04:54,908 --> 00:04:55,942 HELLO. 96 00:04:56,009 --> 00:04:58,845 MAY I HAVE THE PLEASURE OF THE NEXT DANCE? 97 00:04:58,912 --> 00:05:01,214 NO, THANK YOU. I HAVE TO BE GETTING HOME. 98 00:05:01,281 --> 00:05:03,049 BUT IT'S SO EARLY. 99 00:05:03,116 --> 00:05:05,552 THAT'S WHEN DADDY LIKES ME TO GET HOME--EARLY. 100 00:05:05,619 --> 00:05:08,588 COULDN'T YOU JUST STAY FOR ONE DANCE? JUST ONE. 101 00:05:08,655 --> 00:05:10,891 WELL...ALL RIGHT. 102 00:05:10,957 --> 00:05:13,093 SWELL. MY NAME IS DOBIE GILLIS. 103 00:05:13,159 --> 00:05:14,861 MY NAME IS... 104 00:05:14,928 --> 00:05:16,162 [BAND PLAYING] 105 00:05:16,229 --> 00:05:18,731 ♪ SQUARES ARE FORMED AND READY TO GO ♪ 106 00:05:18,798 --> 00:05:21,033 ♪ THE BOYS IN THE BAND ARE READY TO BLOW ♪ 107 00:05:21,100 --> 00:05:25,671 ♪ HONOR YOUR PARTNERS AND YOUR CORNER'S DOLL ♪ 108 00:05:25,738 --> 00:05:28,575 ♪ SWING YOUR PARTNERS, ONE AND ALL ♪ 109 00:05:30,309 --> 00:05:32,645 ♪ THAT'S ALL, BROTHER, BEFORE YOU FALL ♪ 110 00:05:32,712 --> 00:05:34,614 ♪ ALL 4 COUPLES, FORWARD AND BACK ♪ 111 00:05:34,681 --> 00:05:36,983 ♪ MAKE YOUR FEET GO ♪ 112 00:05:37,050 --> 00:05:39,051 ♪ AND A-DO-SI-DO ♪ 113 00:05:39,118 --> 00:05:41,621 I DON'T LIKE TO SEEM DULL, BUT I DIDN'T CATCH YOUR NAME. 114 00:05:41,687 --> 00:05:42,556 I'M LORNA ELLINGBOE. 115 00:05:42,622 --> 00:05:43,656 HOW DO YOU DO? 116 00:05:43,723 --> 00:05:46,760 ♪ HEEL, TOE, A-GO, MAN, GO ♪ 117 00:05:49,362 --> 00:05:50,797 YOU EXCITE ME. 118 00:05:50,864 --> 00:05:52,866 THAT'S NICE. 119 00:05:52,933 --> 00:05:55,101 ♪ SWING YOUR CHICK AROUND AND ABOUT ♪ 120 00:05:55,168 --> 00:05:56,969 ♪ WHILE SHE'S TURNIN', YOU CUT OUT ♪ 121 00:05:57,036 --> 00:06:00,140 Lorna: I GOT A GREAT IDEA. LET'S GO STEADY. 122 00:06:00,207 --> 00:06:01,140 ALL RIGHT. 123 00:06:01,207 --> 00:06:02,608 I WITHDRAW THE OFFER. 124 00:06:02,675 --> 00:06:04,244 YOU'RE FIGHTING ME. 125 00:06:06,012 --> 00:06:08,147 ♪ AROUND THE SQUARE, BREAK UP THE HALL ♪ 126 00:06:08,214 --> 00:06:11,618 ♪ DANCE UP A STORM AND HAVE A BALL ♪ 127 00:06:46,419 --> 00:06:47,854 [MUSIC ENDS] 128 00:06:47,921 --> 00:06:50,223 [CHEERING] 129 00:06:52,058 --> 00:06:54,260 I KNOW THIS IS GOING TO SOUND SILLY, 130 00:06:54,327 --> 00:06:55,361 BUT I DIDN'T CATCH YOUR-- 131 00:06:55,428 --> 00:06:57,196 Announcer: YOUR ATTENTION, PLEASE. 132 00:06:57,263 --> 00:07:00,700 IN JUST A FEW MINUTES, DR. ASCOT, THE FAMOUS RADIO QUIZ MASTER, 133 00:07:00,766 --> 00:07:03,069 WILL CONDUCT HIS COAST-TO-COAST QUIZ PROGRAM 134 00:07:03,136 --> 00:07:05,805 RIGHT HERE IN THE GYM. YOU'RE ALL INVITED TO STAY. 135 00:07:05,872 --> 00:07:08,007 HOW ABOUT IT? SOUNDS LIKE FUN. 136 00:07:08,073 --> 00:07:11,611 FUN? IS THAT WHAT YOU CAME TO COLLEGE FOR-- TO HAVE FUN? 137 00:07:11,678 --> 00:07:13,179 HUH! YOU AIN'T JUST A-KIDDIN'. 138 00:07:13,246 --> 00:07:16,382 NOT I. I CAME TO COLLEGE TO LEARN AND TO WORK 139 00:07:16,449 --> 00:07:18,184 BECAUSE THAT'S WHAT COLLEGE IS FOR-- 140 00:07:18,251 --> 00:07:21,387 A PLACE TO LEARN, LEARN, LEARN AND WORK, WORK, WORK. 141 00:07:21,454 --> 00:07:22,955 WHO TOLD YOU THAT? 142 00:07:23,022 --> 00:07:25,024 DADDY. DADDY SAYS PEOPLE WHO COME TO COLLEGE FOR FUN 143 00:07:25,091 --> 00:07:28,528 ARE LOATHSOME CREATURES WITH NO MORAL FIBER. 144 00:07:28,594 --> 00:07:30,330 HMM. 145 00:07:31,797 --> 00:07:33,399 YOUR DADDY IS ABSOLUTELY RIGHT. 146 00:07:33,466 --> 00:07:34,833 I WAS ONLY FOOLING BEFORE. 147 00:07:34,900 --> 00:07:36,736 I DIDN'T COME HERE FOR FUN. 148 00:07:36,803 --> 00:07:39,138 I CAME TO LEARN, LEARN, LEARN, WORK, WORK, WORK. 149 00:07:39,205 --> 00:07:40,039 I'M GLAD. 150 00:07:40,106 --> 00:07:41,340 ME, TOO. 151 00:07:41,407 --> 00:07:43,809 DADDY SAYS FACTS ARE THE WEAPONS IN THE BATTLE OF LIFE, 152 00:07:43,876 --> 00:07:46,112 AND COLLEGE IS THE BEST PLACE TO LEARN FACTS. 153 00:07:46,179 --> 00:07:48,714 YOU'RE ABSOLUTELY RIGHT. THERE'S NOTHING LIKE FACTS, I ALWAYS SAY. 154 00:07:48,781 --> 00:07:50,583 DO YOU KNOW LOTS OF FACTS? 155 00:07:50,650 --> 00:07:51,351 MILLIONS. 156 00:07:51,417 --> 00:07:52,819 TELL ME SOME. 157 00:07:52,885 --> 00:07:54,053 WOULD YOU LIKE A GLASS OF PUNCH? 158 00:07:54,120 --> 00:07:55,989 NO, THANK YOU. JUST TELL ME SOME FACTS. 159 00:07:56,055 --> 00:07:57,857 I KNOW SO MANY, I DON'T KNOW WHERE TO BEGIN. 160 00:07:57,924 --> 00:07:59,625 JUST BEGIN ANYWHERE. 161 00:07:59,692 --> 00:08:01,660 UM...HOW ABOUT STATE CAPITALS? 162 00:08:01,727 --> 00:08:03,229 OH, THAT SOUNDS KEEN. 163 00:08:03,296 --> 00:08:05,965 DO YOU KNOW THAT DOVER'S THE CAPITAL OF DELAWARE? 164 00:08:06,032 --> 00:08:07,100 REALLY? 165 00:08:07,166 --> 00:08:09,469 UH-HUH. AND AUGUSTA IS THE CAPITAL OF MAINE. 166 00:08:09,535 --> 00:08:10,703 YOU DON'T SAY. 167 00:08:10,770 --> 00:08:12,638 AND LANSING IS THE CAPITAL OF MICHIGAN. 168 00:08:12,705 --> 00:08:14,206 OLYMPIA'S THE CAPITAL OF WASHINGTON, 169 00:08:14,273 --> 00:08:16,742 AND SAY, IF YOU'RE SO INTERESTED IN FACTS, 170 00:08:16,809 --> 00:08:18,510 WHY DON'T YOU STAY FOR THE QUIZ SHOW? 171 00:08:18,577 --> 00:08:20,112 THEY'RE REAL EDUCATIONAL. 172 00:08:20,179 --> 00:08:24,083 I GUESS THEY ARE, BUT I DOUBT IF DADDY WOULD SEE IT THAT WAY. 173 00:08:24,150 --> 00:08:26,786 HERE, WHY DON'T YOU CALL HIM AND TELL HIM YOU'RE GOING TO A LECTURE? 174 00:08:26,853 --> 00:08:28,755 THAT'S THE TRUTH... SORT OF. 175 00:08:28,821 --> 00:08:31,557 ALL RIGHT. I'LL GO PHONE HIM AND MEET YOU BACK HERE. 176 00:08:31,624 --> 00:08:34,593 JUST A MINUTE. BEFORE YOU GO, THERE'S SOMETHING I MUST KNOW. 177 00:08:34,659 --> 00:08:37,362 YOU'RE GOING TO THINK I'M AN AWFUL KNOTHEAD, BUT I DIDN'T CATCH YOUR-- 178 00:08:37,430 --> 00:08:38,664 WHERE'S LORNA? 179 00:08:38,731 --> 00:08:39,833 I'LL BE LORNA? RIGHT BACK. 180 00:08:39,899 --> 00:08:39,899 WHERE IS SHE? 181 00:08:39,899 --> 00:08:41,601 HOW SHOULD I KNOW? 182 00:08:41,668 --> 00:08:42,535 I FIGURED SHE'D BE WITH YOU. 183 00:08:42,601 --> 00:08:43,568 SHE ISN'T. 184 00:08:43,635 --> 00:08:45,036 LOOK, DOBIE, THIS IS TERRIBLE. 185 00:08:45,104 --> 00:08:46,439 THIS, IN FACT, IS GRUESOME. 186 00:08:46,505 --> 00:08:47,940 WHAT'S WRONG? 187 00:08:48,007 --> 00:08:50,777 FOR THE FIRST TIME IN MY LIFE, SEE, THE VERY FIRST TIME, 188 00:08:50,844 --> 00:08:52,878 I FIND A DAME THAT GETS TO ME, GETS TO ME RIGHT HERE, 189 00:08:52,945 --> 00:08:54,113 RIGHT IN THE OLD TICKER. 190 00:08:54,180 --> 00:08:55,482 WHAT'S SO GRUESOME ABOUT THAT? 191 00:08:55,548 --> 00:08:56,449 WELL, SHE WANTS YOU. 192 00:08:56,515 --> 00:08:57,783 BUT I DON'T WANT HER. 193 00:08:57,850 --> 00:09:00,487 HEY, YOU KNOCKING MY DAME? 194 00:09:00,553 --> 00:09:03,823 NO, NO. A VERY CHARMING GIRL, BUT I'VE GOT MY OWN. 195 00:09:03,890 --> 00:09:06,025 WHAT DO YOU MEAN? THE ONE YOU'RE DANCING WITH? 196 00:09:06,092 --> 00:09:08,828 YEAH. ISN'T SHE A DOLL? 197 00:09:08,894 --> 00:09:11,031 YEAH. WHAT'S HER NAME? 198 00:09:11,097 --> 00:09:12,331 I DON'T KNOW. 199 00:09:12,398 --> 00:09:13,833 I BEG YOUR PARDON? 200 00:09:13,900 --> 00:09:16,336 THAT'S RIGHT. I DON'T KNOW HER NAME. 201 00:09:16,402 --> 00:09:17,837 HOW'D YOU MANAGE THAT? 202 00:09:17,904 --> 00:09:19,739 WELL, YOU SEE... 203 00:09:20,907 --> 00:09:22,976 HELLO, DADDY. I'M GOING TO BE A LITTLE LATE 204 00:09:23,042 --> 00:09:25,778 BECAUSE THERE'S SORT OF A LECTURE HERE TONIGHT. 205 00:09:25,845 --> 00:09:28,847 OH, A LECTURE? THAT'S FINE, DEAR. 206 00:09:28,914 --> 00:09:30,650 NO, I DON'T MIND A BIT. 207 00:09:30,717 --> 00:09:32,117 THAT'S WHAT COLLEGE IS FOR, YOU KNOW-- 208 00:09:32,184 --> 00:09:35,855 TO LEARN, LEARN, LEARN, WORK, WORK, WORK. 209 00:09:35,922 --> 00:09:37,990 YES, DEAR. GOOD NIGHT. 210 00:09:38,057 --> 00:09:39,459 SHE'S GOING TO BE A LITTLE LATE. 211 00:09:39,525 --> 00:09:41,360 SHE'S STAYING FOR SOME KIND OF LECTURE. 212 00:09:41,427 --> 00:09:42,762 MM-HMM. 213 00:09:42,829 --> 00:09:46,098 A LECTURE. NOW, I FIND THAT VERY ENCOURAGING. 214 00:09:46,165 --> 00:09:49,269 MOST GIRLS HER AGE... ALL THEY THINK ABOUT 215 00:09:49,335 --> 00:09:52,271 IS DATING AND DANCING AND RUNNING AROUND WITH BOYS. 216 00:09:52,338 --> 00:09:53,038 BUT NOT OUR DAUGHTER. 217 00:09:53,105 --> 00:09:55,842 NO, SIR, NOT OUR DAUGHTER. 218 00:09:55,908 --> 00:09:58,878 OF COURSE, SHE'LL BE INTERESTED IN BOYS EVENTUALLY. 219 00:09:58,945 --> 00:10:00,379 IT'S ONLY NATURAL. 220 00:10:00,446 --> 00:10:02,081 BUT THAT'S A LONG WAY OFF. 221 00:10:02,148 --> 00:10:05,051 SURE IS. MAYBE TWO OR THREE WEEKS. 222 00:10:05,117 --> 00:10:08,054 WHAT? ARE YOU TRYING TO TELL ME THAT OUR CHILD IS-- 223 00:10:08,121 --> 00:10:11,891 CHILD? THAT'S A VERY WELL-DEVELOPED CHILD, MY FRIEND. 224 00:10:11,958 --> 00:10:13,693 I'LL ADMIT SHE LOOKS LIKE A YOUNG WOMAN, 225 00:10:13,760 --> 00:10:14,861 BUT AFTER ALL-- 226 00:10:14,927 --> 00:10:16,396 I'VE GOT A BULLETIN FOR YOU, OLD BOY. 227 00:10:16,463 --> 00:10:18,597 YOUNG WOMEN ARE INTERESTED IN YOUNG MEN. 228 00:10:18,664 --> 00:10:20,065 IT'S THE NATURE OF THE BEAST. 229 00:10:20,132 --> 00:10:22,869 THERE'LL BE PLENTY OF TIME FOR BOYS LATER. 230 00:10:22,936 --> 00:10:26,873 RIGHT NOW, ALL SHE WANTS IS TO LEARN, LEARN, LEARN, WORK, WORK, WORK. 231 00:10:28,207 --> 00:10:29,342 UH-HUH. 232 00:10:31,911 --> 00:10:33,846 DON'T YOU SEE THE SPOT I'M IN? 233 00:10:33,912 --> 00:10:35,982 WHAT WILL SHE THINK IF I COME UP TO HER NOW AND TELL HER I DON'T KNOW HER NAME? 234 00:10:36,049 --> 00:10:37,950 SHE'LL THINK YOU GOT A FEW MARBLES LOOSE. 235 00:10:38,017 --> 00:10:38,017 THAT'S RIGHT. 236 00:10:38,017 --> 00:10:39,351 HERE YOU ARE! 237 00:10:39,418 --> 00:10:39,418 HELLO. 238 00:10:39,418 --> 00:10:41,120 LISTEN, BOY, I'M A PLAIN, HONEST GIRL 239 00:10:41,187 --> 00:10:43,223 WHO TELLS THE PLAIN, HONEST TRUTH, 240 00:10:43,289 --> 00:10:47,660 AND I'M TELLING YOU PLAINLY AND HONESTLY THAT I GOT A GREAT BIG YEN FOR YOU. 241 00:10:47,727 --> 00:10:51,463 YOU MUSTN'T THINK ME AN INGRATE, BUT I ALREADY HAVE A GIRL. 242 00:10:51,530 --> 00:10:53,499 SEE? WITH HIM, YOU'RE DEAD. 243 00:10:53,566 --> 00:10:55,268 WITH ME, ON THE OTHER HAND-- 244 00:10:55,335 --> 00:10:56,802 YOU, I DON'T WANT. 245 00:10:56,869 --> 00:10:57,637 WELL, HIM, YOU WON'T GET. 246 00:10:57,704 --> 00:10:59,172 DON'T BE TOO SURE. 247 00:10:59,238 --> 00:11:01,140 IF THERE'S ONE THING I GOT, IT'S PERSEVERANCE. 248 00:11:01,207 --> 00:11:03,542 I'M GOING TO STICK TO HIM LIKE GUM. 249 00:11:03,609 --> 00:11:06,045 I'M GOING TO FOLLOW HIM LIKE TUESDAY FOLLOWS MONDAY. 250 00:11:06,112 --> 00:11:08,047 TUESDAY, SHAKE HANDS WITH WEDNESDAY. 251 00:11:08,114 --> 00:11:09,815 DADDY SAID I COULD STAY. 252 00:11:09,882 --> 00:11:12,551 GOOD. I'D LIKE YOU TO MEET LORNA ELLINGBOE AND CHARLIE TRASK. 253 00:11:12,618 --> 00:11:14,253 HOW DO YOU DO? HI. 254 00:11:14,320 --> 00:11:17,323 WHAT'S HER NAME? I DIDN'T HEAR WHAT HER NAME WAS. 255 00:11:17,390 --> 00:11:18,658 [BAND PLAYING] 256 00:11:18,724 --> 00:11:21,861 COME ON. LET'S SIT DOWN. THE QUIZ SHOW IS BEGINNING. 257 00:11:24,964 --> 00:11:27,266 [MUSIC ENDS] 258 00:11:27,333 --> 00:11:29,201 GOOD EVENING, LADIES AND GENTLEMEN. 259 00:11:29,268 --> 00:11:31,604 THIS IS YOUR GENIAL QUIZ MASTER DR. ASCOT, 260 00:11:31,671 --> 00:11:35,941 BROADCASTING DIRECT THIS EVENING FROM THE FRESHMEN GET-TOGETHER AT GRAINBELT UNIVERSITY. 261 00:11:36,008 --> 00:11:39,545 AND NOW, FRESHMAN, WILL YOU LOOK AT THE NUMBERS ON YOUR DANCE TICKETS? 262 00:11:39,612 --> 00:11:44,717 IF I CALL YOUR NUMBER, PLEASE COME TO THE MICROPHONE. 263 00:11:44,784 --> 00:11:46,819 ALL RIGHT, HERE'S OUR NUMBER-- 264 00:11:46,886 --> 00:11:49,421 NUMBER 164. 265 00:11:49,488 --> 00:11:50,656 WHAT DO YOU KNOW? 266 00:11:50,723 --> 00:11:52,725 THAT'S YOU, DOBIE! GO ON UP THERE! 267 00:11:52,792 --> 00:11:54,427 GO ON. GO ON. 268 00:11:54,494 --> 00:11:55,661 NO. YOU GO. 269 00:11:55,728 --> 00:11:57,029 OH, BUT-- 270 00:11:57,096 --> 00:11:59,665 GO AHEAD. GO ON. TAKE THE TICKET AND GO. 271 00:11:59,732 --> 00:12:01,166 WHY'D YOU DO THAT? 272 00:12:01,233 --> 00:12:03,335 SO I COULD FIND OUT HER NAME. 273 00:12:03,402 --> 00:12:05,672 SHE'LL HAVE TO TELL IT TO DR. ASCOT, AND I'LL KNOW IT, TOO. 274 00:12:05,738 --> 00:12:06,572 PRETTY CLEVER, HUH? 275 00:12:06,639 --> 00:12:07,907 WHAT'S SO CLEVER? 276 00:12:07,973 --> 00:12:09,942 YOU MIGHT HAVE WON A PILE OF MONEY UP THERE. 277 00:12:10,009 --> 00:12:12,111 NO, NOT ME. I'M NOT GOOD AT THESE THINGS. 278 00:12:12,178 --> 00:12:12,178 GOOD EVENING, LITTLE LADY. 279 00:12:12,178 --> 00:12:13,078 HELLO. 280 00:12:13,145 --> 00:12:14,647 HOW ARE YOU THIS EVENING? 281 00:12:14,714 --> 00:12:17,049 FINE, YOU ALL SET TO THANK YOU. WIN SOME MONEY? 282 00:12:17,116 --> 00:12:19,852 I HOPE SO. YOU HOPE SO? 283 00:12:19,918 --> 00:12:21,453 HA HA HA! THAT'S RICH. 284 00:12:21,520 --> 00:12:23,689 THIS LITTLE LADY HAS HER WITS ABOUT HER. 285 00:12:23,756 --> 00:12:25,190 [KIDS WOLF WHISTLING] 286 00:12:25,257 --> 00:12:26,959 MISS, IF YOU WILL LOOK AT THE LIST OF CATEGORIES 287 00:12:27,026 --> 00:12:29,528 AND CHOOSE A SUBJECT YOU WANT TO TALK ABOUT. 288 00:12:29,595 --> 00:12:31,397 [WOLF WHISTLES] 289 00:12:31,463 --> 00:12:33,299 WOO-HOO! MMM. 290 00:12:33,366 --> 00:12:36,502 NUMBER 5--NAMES OF STATE CAPITALS. 291 00:12:36,569 --> 00:12:38,971 Ascot: NUMBER 5-- NAMES OF STATE CAPITALS. ALL RIGHT. 292 00:12:39,038 --> 00:12:41,841 FOR $10, CAN YOU TELL ME THE CAPITAL 293 00:12:41,908 --> 00:12:44,610 OF THE STATE OF DELAWARE? 294 00:12:44,677 --> 00:12:45,544 DOVER. 295 00:12:45,611 --> 00:12:46,546 OH, NO. 296 00:12:46,612 --> 00:12:48,014 Ascot: RIGHT. 297 00:12:49,782 --> 00:12:52,352 VERY NICE. 298 00:12:52,418 --> 00:12:56,722 AND NOW FOR $20, THE CAPITAL OF THE STATE OF MAINE. 299 00:12:56,789 --> 00:12:58,324 AUGUSTA. 300 00:12:58,390 --> 00:12:59,792 Ascot: RIGHT! 301 00:12:59,859 --> 00:13:01,661 ANYTHING THE MATTER? 302 00:13:01,728 --> 00:13:02,594 [CHEERING] 303 00:13:02,661 --> 00:13:06,199 AND NOW FOR $50... 304 00:13:06,265 --> 00:13:09,902 CAPITAL OF THE STATE OF MICHIGAN. 305 00:13:09,969 --> 00:13:11,471 LANSING? 306 00:13:11,537 --> 00:13:13,006 Ascot: RIGHT! 307 00:13:13,072 --> 00:13:15,207 WHAT'S WRONG? WHAT'S WRONG, MY DARLING? TELL LORNA. 308 00:13:15,274 --> 00:13:16,843 LADIES AND GENTLEMEN, 309 00:13:16,910 --> 00:13:18,344 NEVER IN ALL MY YEARS OF RADIO HAVE I HAD 310 00:13:18,411 --> 00:13:20,379 SUCH BRILLIANTLY FAST ANSWERS. 311 00:13:20,446 --> 00:13:20,946 THANK YOU. 312 00:13:21,013 --> 00:13:22,415 AND NOW, MY DEAR, 313 00:13:22,482 --> 00:13:26,952 FOR THE $100 AND FINAL QUESTION-- YOU WANT TO TRY IT? 314 00:13:27,019 --> 00:13:28,387 Girl: SHOOT. 315 00:13:28,454 --> 00:13:31,324 ALL RIGHT, FOR $100... 316 00:13:31,391 --> 00:13:35,160 WHAT IS THE CAPITAL OF THE STATE OF WASHINGTON? 317 00:13:35,227 --> 00:13:37,563 OH, THAT'S EASY. OLYMPIA! 318 00:13:37,629 --> 00:13:39,398 AAH! 319 00:13:39,465 --> 00:13:42,669 [KIDS CHEERING AND BAND PLAYING] 320 00:13:46,372 --> 00:13:47,607 WHAT? 321 00:13:47,673 --> 00:13:49,375 HA HA! CONGRATULATIONS. 322 00:13:49,442 --> 00:13:50,777 THANK YOU. 323 00:13:50,843 --> 00:13:52,711 AND NOW, UH... 324 00:13:52,778 --> 00:13:54,080 WHAT IS YOUR NAME? 325 00:13:54,147 --> 00:13:55,782 I'M GETTING YOU OUT OF HERE. 326 00:13:55,848 --> 00:13:58,851 NO! NOT NOW. I PAID $100 TO HEAR THIS. 327 00:13:58,917 --> 00:14:01,353 MY NAME IS... 328 00:14:01,420 --> 00:14:03,423 MARY BROWN. 329 00:14:14,433 --> 00:14:16,769 YOU WERE SWEET TO LET ME GO ON THE STAGE INSTEAD OF YOU. 330 00:14:16,835 --> 00:14:19,171 THINK NOTHING OF IT, MARY BROWN. 331 00:14:19,238 --> 00:14:21,707 HA HA HA. YOU'RE SUCH A FUNNY BOY, DOBIE. 332 00:14:21,773 --> 00:14:23,509 THANKS, MARY BROWN. 333 00:14:29,181 --> 00:14:30,683 THANK YOU, DOBIE. 334 00:14:30,750 --> 00:14:32,051 THIS IS ONE OF THE NICEST EVENINGS OF MY WHOLE LIFE. 335 00:14:32,117 --> 00:14:33,719 I'M GLAD, MARY BROWN. 336 00:14:33,786 --> 00:14:35,254 WELL, GOOD NIGHT, DOBIE. 337 00:14:35,321 --> 00:14:37,990 GOOD NIGHT, MARY BROWN. 338 00:14:38,057 --> 00:14:38,724 YOUR FATHER! 339 00:14:38,791 --> 00:14:40,125 WHAT ABOUT HIM? 340 00:14:40,192 --> 00:14:41,727 YOU TOLD HIM YOU WERE GOING TO A LECTURE TONIGHT. 341 00:14:41,794 --> 00:14:43,528 SUPPOSE HE WAS LISTENING TO THE RADIO AND HEARD YOUR VOICE. 342 00:14:43,595 --> 00:14:46,531 DON'T WORRY. PEOPLE'S VOICES SOUND DIFFERENT OVER THE RADIO. 343 00:14:46,598 --> 00:14:49,969 BUT YOUR NAME-- YOU TOLD HIM YOUR NAME. 344 00:14:50,036 --> 00:14:51,504 ARE YOU KIDDING? 345 00:14:51,570 --> 00:14:53,972 YOU KNOW VERY WELL I DIDN'T GIVE HIM MY RIGHT NAME. 346 00:14:54,039 --> 00:14:55,541 YOU DIDN'T GIVE HIM YOUR RIGHT NAME? 347 00:14:55,608 --> 00:14:57,376 NO. OH, NO! 348 00:14:57,443 --> 00:14:58,110 OH, NO. 349 00:14:58,177 --> 00:14:59,244 WHAT'S THE MATTER, DOBIE? 350 00:14:59,311 --> 00:14:59,945 YOU DIDN'T GIVE HIM YOUR RIGHT NAME? 351 00:15:00,012 --> 00:15:01,246 WELL, NO. 352 00:15:01,313 --> 00:15:03,782 $100. YOU DIDN'T GIVE HIM YOUR RIGHT NAME? 353 00:15:03,849 --> 00:15:08,987 $100! YOU DIDN'T GIVE HIM YOUR RIGHT NAME! 354 00:15:09,054 --> 00:15:11,758 NO. DOBIE. NO. OH! 355 00:15:11,824 --> 00:15:13,325 OH, NO! $100! 356 00:15:13,392 --> 00:15:14,994 YEAH, WELL, DOBIE--DOBIE? 357 00:15:15,060 --> 00:15:16,695 OH, NO! $100! 358 00:15:16,762 --> 00:15:20,065 MOTHER, DADDY, I'D LIKE YOU TO MEET DOBIE GILLIS! 359 00:15:20,132 --> 00:15:22,001 DOBIE--DOBIE-- 360 00:15:22,067 --> 00:15:24,003 $100! OH, NO! 361 00:15:24,069 --> 00:15:26,005 OH, NO! $100! 362 00:15:26,071 --> 00:15:27,473 WHAT'S THE MATTER WITH THAT YOUNG MAN? 363 00:15:27,540 --> 00:15:30,776 NOTHING, DADDY. HE'S REALLY VERY SWEET. 364 00:15:30,843 --> 00:15:32,211 SWEET? THE BOY'S UNHINGED. 365 00:15:32,278 --> 00:15:33,378 YOU SAW HIM, ELEANOR. 366 00:15:33,445 --> 00:15:35,381 HE DID SEEM A TRIFLE ODD. 367 00:15:35,448 --> 00:15:38,484 ODD? HE'S A RAVING LUNATIC. HE OUGHT TO BE LOCKED UP. 368 00:15:38,551 --> 00:15:40,386 YOU KEEP AWAY FROM HIM. DO YOU HEAR? 369 00:15:40,452 --> 00:15:42,288 HE'S REALLY VERY NICE, DADDY. 370 00:15:42,354 --> 00:15:44,623 YOU'LL GET TO LIKE HIM. HE'S MARVY. 371 00:15:44,690 --> 00:15:48,761 YOU MEAN BALMY. YOU... YOU'RE NOT CONSIDERING 372 00:15:48,828 --> 00:15:51,864 ANY SORT OF ROMANTIC ARRANGEMENT WITH THIS FELLOW, ARE YOU? 373 00:15:51,931 --> 00:15:53,399 WELL, I HADN'T THOUGHT-- 374 00:15:53,465 --> 00:15:56,368 PEOPLE WHO GET ROMANTIC IN COLLEGE ARE FOOLS AND MUCKERS 375 00:15:56,435 --> 00:15:58,103 WITH NO INTELLECTUAL STAMINA. 376 00:15:58,170 --> 00:15:59,705 NOW, YOU KNOW WHAT COLLEGE IS FOR. 377 00:15:59,772 --> 00:16:00,840 YES, DADDY. 378 00:16:00,906 --> 00:16:03,876 TO LEARN, LEARN, LEARN AND WORK, WORK, WORK. 379 00:16:03,943 --> 00:16:07,546 THAT'S MY GIRL. THAT'S MY GOOD GIRL. 380 00:16:07,613 --> 00:16:09,982 I GUESS I BETTER GO TO BED. GOOD NIGHT, DADDY. 381 00:16:10,049 --> 00:16:10,849 NIGHT, DEAR. 382 00:16:10,916 --> 00:16:14,019 GOOD NIGHT, MOTHER. 383 00:16:14,086 --> 00:16:16,121 GOT HER FEET ON THE GROUND-- THAT GIRL. 384 00:16:16,188 --> 00:16:19,325 WE DON'T HAVE TO WORRY ABOUT HER. 385 00:16:19,391 --> 00:16:21,527 HA! 386 00:16:25,364 --> 00:16:27,533 STILL HAVEN'T FOUND ANYTHING YOU LIKE? 387 00:16:27,600 --> 00:16:29,535 AH, NOTHING. 388 00:16:29,602 --> 00:16:32,605 HAVE YOU TRIED "EENY MEENY MINY MO"? 389 00:16:32,672 --> 00:16:34,273 [CHUCKLES] 390 00:16:37,610 --> 00:16:39,811 IT'S HER! 391 00:16:39,878 --> 00:16:42,781 EXCUSE ME. PARDON ME. 392 00:16:42,848 --> 00:16:43,782 I'D LIKE TO TAKE-- 393 00:16:43,849 --> 00:16:45,551 THAT GIRL. WHAT'S HER NAME? 394 00:16:45,617 --> 00:16:46,719 PANSY HAMMER. 395 00:16:46,785 --> 00:16:48,487 PANSY HAMMER. 396 00:16:48,554 --> 00:16:49,755 PANSY! 397 00:16:49,822 --> 00:16:50,789 I'M DOBIE GILLIS. 398 00:16:50,856 --> 00:16:53,326 PUT ME DOWN FOR WHATEVER SHE'S TAKING. 399 00:16:53,392 --> 00:16:54,726 I'M LORNA ELLINGBOE. 400 00:16:54,793 --> 00:16:58,097 PUT ME DOWN FOR WHATEVER DOBIE GILLIS IS TAKING. 401 00:16:58,164 --> 00:16:59,966 I'M CHARLIE TRASK. I'M WITH LORNA. 402 00:17:00,032 --> 00:17:02,902 WRITE THAT DOWN. THERE'S A DOLL. 403 00:17:08,272 --> 00:17:08,906 [KIDS TALKING] 404 00:17:08,973 --> 00:17:11,510 AHEM! 405 00:17:18,384 --> 00:17:20,520 [KIDS QUIET DOWN] 406 00:17:33,565 --> 00:17:36,869 MY NAME IS AMOS POMFRITT, 407 00:17:36,936 --> 00:17:39,504 AND THE TEXTBOOK USED IN THIS CLASS WILL BE 408 00:17:39,571 --> 00:17:41,707 ENGLISH USAGE FOR COLLEGE FRESHMEN 409 00:17:41,774 --> 00:17:44,209 BY AMOS POMFRITT. 410 00:17:44,276 --> 00:17:48,280 WHEN CLASS MEETS TOMORROW, I WANT EVERYBODY TO HAVE HIS COPY. 411 00:17:48,347 --> 00:17:51,483 YOU WILL KINDLY NOTE THAT I HAVE SAID, "EVERYBODY WILL HAVE HIS COPY," 412 00:17:51,550 --> 00:17:54,854 AND NOT, "EVERYBODY WILL HAVE THEIR COPY." 413 00:17:54,921 --> 00:17:56,922 YOU THERE. 414 00:17:56,989 --> 00:18:01,226 WHAT'S WRONG WITH "EVERYBODY WILL HAVE THEIR COPY"? 415 00:18:01,293 --> 00:18:04,396 WHY, NOTHING. I SAY IT ALL THE TIME. 416 00:18:04,463 --> 00:18:09,201 MY DEAR YOUNG LOUT, JUST BECAUSE YOU SAY IT DOES NOT MAKE IT CORRECT. 417 00:18:09,268 --> 00:18:10,536 YES, BUT EVERYBODY SAYS IT-- 418 00:18:10,602 --> 00:18:14,006 ALL MY FAMILY, MY FRIENDS-- EVERYBODY I KNOW. 419 00:18:14,073 --> 00:18:17,142 THE RULES OF ENGLISH USAGE 420 00:18:17,209 --> 00:18:20,479 ARE MADE BY SCHOLARS AND LEARNED MEN 421 00:18:20,546 --> 00:18:25,117 AND NOT BY COLLEGE FRESHMEN AND OTHER SUCH VULGARIANS. 422 00:18:25,184 --> 00:18:26,718 GEE, I DON'T KNOW, SIR. 423 00:18:26,785 --> 00:18:29,021 I THINK THE WAY THE PEOPLE USE A LANGUAGE IS THE RIGHT WAY, 424 00:18:29,088 --> 00:18:32,725 AND IF THE RULE SAYS NO, THEN THE RULE OUGHT TO BE CHANGED. 425 00:18:32,792 --> 00:18:38,363 IN THE 25 YEARS THAT I HAVE DEVOTED TO THIS UNDERPAID PROFESSION OF TEACHING, 426 00:18:38,430 --> 00:18:41,233 I HAVE HEARD MANY AN ASININE OUTBURST 427 00:18:41,300 --> 00:18:44,269 BUT NEVER ONE SO ASININE AS YOURS. 428 00:18:44,336 --> 00:18:47,472 I CAN ONLY ASSUME THAT YOUR RECENT PASSAGE THROUGH PUBERTY 429 00:18:47,539 --> 00:18:49,474 HAS AFFECTED YOUR MIND, 430 00:18:49,541 --> 00:18:52,077 FOR YOU, SIR, ARE A PRESUMPTUOUS DRIVELER, 431 00:18:52,144 --> 00:18:56,248 A CRETINOUS BARBARIAN, A THICK-TONGUED OAF, AND AN ILL-BRED CHURL, 432 00:18:56,315 --> 00:18:57,616 AND IN THE FUTURE, YOU WILL BE GOOD ENOUGH 433 00:18:57,683 --> 00:19:01,153 TO KEEP YOUR MINDLESS OPINIONS TO YOURSELF. 434 00:19:01,220 --> 00:19:03,789 [BELL RINGS] 435 00:19:03,856 --> 00:19:06,425 CLASS DISMISSED. 436 00:19:09,095 --> 00:19:13,532 YOU KNOW, I HAVE A FEELING HE DOESN'T LIKE ME. 437 00:19:17,403 --> 00:19:18,937 MY NAME'S OBISPO. 438 00:19:19,004 --> 00:19:22,241 THE NAME OF THIS COURSE IS FUNDAMENTALS OF CHEMISTRY. 439 00:19:22,307 --> 00:19:24,677 IT'S THE HARDEST COURSE YOU'VE EVER TAKEN IN YOUR LIVES. 440 00:19:25,744 --> 00:19:27,113 IF ANYBODY'S LOOKING FOR SOMETHING EASY, 441 00:19:27,179 --> 00:19:31,784 I ADVISE THEM TO WALK OUT THAT DOOR RIGHT NOW. 442 00:19:33,652 --> 00:19:35,221 THERE'S NO TIME TO WASTE. 443 00:19:35,288 --> 00:19:37,088 WE'LL START THE FIRST EXPERIMENT IMMEDIATELY. 444 00:19:37,155 --> 00:19:41,994 ON YOUR TABLES, YOU'LL FIND A TUBE CONTAINING POTASSIUM CHLORIDE. 445 00:19:42,061 --> 00:19:44,596 THE TUBES ARE CONNECTED TO THE WATER TROUGHS. 446 00:19:44,663 --> 00:19:47,099 LIGHT YOUR BUNSEN BURNERS. 447 00:19:47,165 --> 00:19:49,701 WARM THE TEST TUBES UNTIL YOU SEE THE BUBBLES 448 00:19:49,768 --> 00:19:53,706 RISING FROM THE WATER TROUGHS INTO THE GAS BOTTLES. 449 00:19:53,773 --> 00:19:54,739 NOW, BE CAREFUL. 450 00:19:54,806 --> 00:19:56,742 DON'T LET THOSE BUBBLES COME TOO FAST. 451 00:19:56,809 --> 00:19:59,110 REMEMBER, WATCH THOSE BUBBLES. 452 00:19:59,177 --> 00:20:02,481 ISN'T IT WONDERFUL, DOBIE--ALL THIS WORK, WORK, WORK? 453 00:20:02,547 --> 00:20:05,451 OH, THE CHEMIST'S LIFE IS A BUSY ONE. 454 00:20:05,517 --> 00:20:07,419 KEEP YOUR EYES ON THOSE BUBBLES. 455 00:20:07,486 --> 00:20:09,488 DON'T LET THEM COME TOO FAST. 456 00:20:10,055 --> 00:20:11,690 Pansy: LOOK. 457 00:20:11,757 --> 00:20:12,991 LOOK, DOBIE. IT'S STARTING. 458 00:20:13,058 --> 00:20:15,760 IT'S STARTING TO BUBBLE! 459 00:20:15,827 --> 00:20:19,130 LITTLE GIRL, DID YOU HEAR ME SAY TO WATCH THOSE BUBBLES? 460 00:20:19,197 --> 00:20:21,066 YES, SIR. I'LL BE CAREFUL. 461 00:20:21,133 --> 00:20:23,102 I'D APPRECIATE IT. 462 00:20:24,736 --> 00:20:26,504 LOOK HOW FAST THEY'RE COMING. 463 00:20:26,571 --> 00:20:27,840 DOBIE, ISN'T IT DIVINE? 464 00:20:27,906 --> 00:20:30,508 OH, LOOK. THEY'RE COMING FASTER NOW... 465 00:20:30,575 --> 00:20:32,511 AND FASTER AND FASTER... 466 00:20:32,578 --> 00:20:34,813 AND FASTER AND FASTER! LOOK AT THEM! 467 00:20:34,880 --> 00:20:37,817 [EXPLOSION AND GLASS SHATTERS] 468 00:20:39,919 --> 00:20:42,955 SO YOU WANT TO BE ON THE STAFF OF THE QUARTERLY. 469 00:20:43,022 --> 00:20:44,189 SHE DOES. 470 00:20:44,256 --> 00:20:46,024 KIDS, HERE'S WHAT I CAN DO. 471 00:20:46,091 --> 00:20:48,093 I CAN PUT YOU TO WORK SELLING SUBSCRIPTIONS, 472 00:20:48,160 --> 00:20:50,128 NOT THAT YOU WOULD SELL ANY. 473 00:20:50,195 --> 00:20:51,597 NOBODY BUYS THE QUARTERLY. 474 00:20:51,663 --> 00:20:52,965 SELLING SUBSCRIPTIONS? 475 00:20:53,031 --> 00:20:55,601 BUT I WANT TO WRITE POETRY AND STORIES 476 00:20:55,667 --> 00:20:58,403 AND SIMPLY MARVELOUS THINGS LIKE THAT. 477 00:20:58,470 --> 00:21:00,739 LOOK, HONEY, THEY TOLD ME UPSTAIRS 478 00:21:00,806 --> 00:21:02,374 THAT IF WE DIDN'T SHOW A PROFIT THIS YEAR, 479 00:21:02,441 --> 00:21:04,042 THEY WOULD CLOSE THE MAGAZINE, 480 00:21:04,109 --> 00:21:07,613 SO IF YOU'RE REALLY INTERESTED IN WRITING POETRY AND STORIES 481 00:21:07,680 --> 00:21:09,615 AND SIMPLY MARVELOUS LITTLE THINGS, 482 00:21:09,681 --> 00:21:13,318 YOU'LL GO OUT AND SELL SUBSCRIPTIONS. 483 00:21:13,385 --> 00:21:15,487 YES, SIR. COME ON, KIDS. 484 00:21:15,554 --> 00:21:18,824 WE'LL GO OUT AND DIG UP SOME SUBSCRIBERS. 485 00:21:20,726 --> 00:21:22,828 [ORCHESTRAL SOUNDTRACK MUSIC PLAYING] 486 00:21:48,720 --> 00:21:50,856 THAT GIRL OF YOURS IS MAKING ME OLD BEFORE MY TIME. 487 00:21:50,922 --> 00:21:54,159 I DON'T LIKE IT ANY MORE THAN YOU DO, BUT WHAT CAN I DO? 488 00:21:54,225 --> 00:21:55,728 TELL HER THE TRUTH. 489 00:21:55,794 --> 00:21:57,196 TELL HER YOU HATE WORK. 490 00:21:57,262 --> 00:21:58,563 TELL HER I HATE WORK. 491 00:21:58,630 --> 00:21:59,931 TELL HER LORNA HATES WORK. 492 00:21:59,998 --> 00:22:01,633 TELL HER WE GET FUN OUT OF HAVING FUN 493 00:22:01,700 --> 00:22:03,402 AND SHE'S MAKING WRECKS OUT OF ALL OF US. 494 00:22:03,469 --> 00:22:05,437 SHE'D WALK OUT ON ME. 495 00:22:05,504 --> 00:22:08,541 THAT'S IT. THINK OF YOURSELF. 496 00:22:08,607 --> 00:22:10,442 NEVER MIND ME. 497 00:22:10,509 --> 00:22:12,010 NEVER MIND LORNA. 498 00:22:12,077 --> 00:22:14,146 JUST THINK OF YOURSELF. 499 00:22:14,213 --> 00:22:15,380 GEE, CHARLIE, I'M SORRY. 500 00:22:15,447 --> 00:22:20,018 NAH. A LOT OF GOOD THAT DOES. 501 00:22:20,085 --> 00:22:21,620 CHARLIE... 502 00:22:24,089 --> 00:22:25,791 YOU SORE, CHARLIE? 503 00:22:27,225 --> 00:22:29,795 CHARLIE. 504 00:22:29,862 --> 00:22:32,465 ALL RIGHT, I'LL TELL HER. 505 00:22:45,711 --> 00:22:48,546 PANSY, I'VE GOT SOMETHING TO TELL YOU, 506 00:22:48,613 --> 00:22:49,748 AND IT'S NOT EASY. 507 00:22:49,815 --> 00:22:52,250 ME, TOO, BUT YOU TELL ME YOURS FIRST. 508 00:22:52,317 --> 00:22:54,352 NO. YOU. 509 00:22:54,419 --> 00:22:56,855 WELL... 510 00:22:56,922 --> 00:22:58,857 I KNOW YOU'LL THINK I'M TERRIBLE, 511 00:22:58,924 --> 00:23:02,695 BECAUSE YOU'RE THE TYPE OF MAN WHO LIKES TO LEARN, LEARN, LEARN, 512 00:23:02,761 --> 00:23:05,630 WORK, WORK, WORK, BUT I CAN'T HELP IT. 513 00:23:05,697 --> 00:23:07,499 I JUST CAN'T GO ON LIKE THIS ANYMORE. 514 00:23:07,566 --> 00:23:09,535 I'M TIRED. I DON'T WANT TO WORK ANYMORE. 515 00:23:09,602 --> 00:23:10,769 I DON'T CARE WHAT DADDY SAYS. 516 00:23:10,836 --> 00:23:13,104 I WANT TO HAVE FUN AND LAUGHS AND ROMANCE. 517 00:23:13,171 --> 00:23:16,341 THAT'S WONDERFUL. THAT'S JUST WONDERFUL. WE'LL START RIGHT AWAY. 518 00:23:16,408 --> 00:23:17,575 TONIGHT WE'LL GO CANOEING. 519 00:23:17,642 --> 00:23:18,744 OH, THAT SOUNDS MARVELOUS. 520 00:23:18,810 --> 00:23:20,312 AND THE NEXT NIGHT, WE'LL GO DANCING. 521 00:23:20,379 --> 00:23:23,782 AND THEN... PANSY, IT'S GOING TO BE SO GREAT. 522 00:23:28,320 --> 00:23:29,654 WHAT'S WRONG? 523 00:23:29,721 --> 00:23:32,658 DADDY. HE WON'T LET ME GO OUT. 524 00:23:32,724 --> 00:23:34,692 SURE, HE WILL. 525 00:23:34,759 --> 00:23:37,062 NO! ABSOLUTELY NOT. 526 00:23:37,129 --> 00:23:38,130 OH, PLEASE, DADDY. 527 00:23:38,197 --> 00:23:41,099 NO! HE'S A MANIAC. HE'S A PUBLIC MENACE. 528 00:23:41,166 --> 00:23:42,467 GEORGE, HE'S NOT AS BAD AS ALL THAT. 529 00:23:42,534 --> 00:23:43,868 WHAT? 530 00:23:43,935 --> 00:23:45,770 I THINK WE SHOULD LET PANSY GO OUT WITH HIM. 531 00:23:45,837 --> 00:23:49,207 YOU TRUST YOUR DAUGHTER WITH THAT JACK THE RIPPER? 532 00:23:49,274 --> 00:23:51,609 OH, NOW, STEADY, BOY. 533 00:23:51,676 --> 00:23:53,178 PANSY, YOU CAN GO. 534 00:23:53,244 --> 00:23:54,646 OH, THANK YOU, MOTHER. 535 00:23:54,712 --> 00:23:56,348 BUT BE HOME BY 10:00, DO YOU HEAR? 536 00:23:56,415 --> 00:23:57,449 YES, DADDY. 537 00:23:57,516 --> 00:23:59,484 10:00! NO LATER! 538 00:23:59,551 --> 00:24:00,920 YES, DADDY. 539 00:24:00,986 --> 00:24:04,790 [DOOR CLOSES] 540 00:24:05,424 --> 00:24:09,328 [UKULELE PLAYING] 541 00:24:16,402 --> 00:24:20,806 ♪ ALL I DO IS DREAM OF YOU ♪ 542 00:24:20,872 --> 00:24:26,011 ♪ THE WHOLE NIGHT THROUGH ♪ 543 00:24:26,077 --> 00:24:30,849 ♪ WITH THE DAWN, I STILL GO ON ♪ 544 00:24:30,915 --> 00:24:35,120 ♪ AND DREAM OF YOU ♪ 545 00:24:35,186 --> 00:24:40,258 ♪ YOU'RE EVERY THOUGHT, YOU'RE EVERYTHING ♪ 546 00:24:40,325 --> 00:24:45,697 ♪ YOU'RE EVERY SONG I EVER SING ♪ 547 00:24:45,764 --> 00:24:50,235 ♪ SUMMER, WINTER ♪ 548 00:24:50,302 --> 00:24:54,706 ♪ AUTUMN AND SPRING ♪ 549 00:24:54,772 --> 00:24:59,711 ♪ AND WERE THERE MORE THAN 24 ♪ 550 00:24:59,778 --> 00:25:04,549 ♪ HOURS A DAY ♪ 551 00:25:04,616 --> 00:25:09,554 ♪ THEY'D BE SPENT IN SWEET CONTENT ♪ 552 00:25:09,621 --> 00:25:13,425 ♪ DREAMING AWAY ♪ 553 00:25:13,492 --> 00:25:19,231 ♪ WHEN SKIES ARE GRAY, WHEN SKIES ARE BLUE ♪ 554 00:25:19,298 --> 00:25:23,735 ♪ MORNING, NOON, AND NIGHTTIME, TOO ♪ 555 00:25:23,802 --> 00:25:28,440 ♪ ALL I DO THE WHOLE DAY THROUGH ♪ 556 00:25:28,506 --> 00:25:32,845 ♪ IS DREAM OF YOU ♪ 557 00:25:37,115 --> 00:25:37,115 ♪ ALL I DO IS ♪ 558 00:25:37,115 --> 00:25:42,321 ♪ AND WERE THERE MORE THAN 24 ♪ 559 00:25:42,388 --> 00:25:42,388 ♪ DREAM OF YOU ♪ 560 00:25:42,388 --> 00:25:47,158 ♪ HOURS A DAY ♪ 561 00:25:47,225 --> 00:25:47,225 ♪ DREAM OF YOU ♪ 562 00:25:47,225 --> 00:25:51,429 ♪ THEY'D BE SPENT IN SWEET CONTENT ♪ 563 00:25:51,496 --> 00:25:51,496 ♪ DREAMING AWAY ♪ 564 00:25:51,496 --> 00:25:56,401 ♪ THE WHOLE DAY THROUGH ♪ 565 00:25:56,468 --> 00:25:59,337 ♪ WHEN SKIES ARE GRAY ♪ 566 00:25:59,404 --> 00:26:01,974 ♪ WHEN SKIES ARE BLUE ♪ 567 00:26:02,041 --> 00:26:06,244 ♪ MORNING, NOON, AND NIGHTTIME, TOO ♪ 568 00:26:06,311 --> 00:26:06,311 ♪ ALL I DO ♪ 569 00:26:06,311 --> 00:26:10,949 ♪ ALL I DO THE WHOLE DAY THROUGH ♪ 570 00:26:11,016 --> 00:26:16,155 ♪ IS DREAM OF ♪ 571 00:26:16,221 --> 00:26:21,226 ♪ YOU ♪ 572 00:26:24,296 --> 00:26:27,733 I NEVER KNEW HAVING FUN COULD BE SO MUCH FUN. 573 00:26:27,800 --> 00:26:30,268 YOU'RE THE GREATEST GIRL IN THE UNITED STATES. 574 00:26:30,335 --> 00:26:31,136 THANK YOU, DOBIE. 575 00:26:31,203 --> 00:26:32,437 MAYBE CANADA, TOO. 576 00:26:32,504 --> 00:26:34,138 YOU'RE WONDERFUL, TOO. 577 00:26:34,205 --> 00:26:35,374 THANKS. 578 00:26:36,641 --> 00:26:38,309 IT'S 9:50! WE'LL NEVER MAKE IT! 579 00:26:38,376 --> 00:26:39,578 OF COURSE WE WILL. 580 00:26:39,645 --> 00:26:41,112 I'VE GOT TO PADDLE BACK TO THE DOCK 581 00:26:41,179 --> 00:26:42,580 AND GET YOU HOME BY 10:00. 582 00:26:42,647 --> 00:26:44,116 IT TAKES 3 MINUTES TO GET TO THE DOCK 583 00:26:44,183 --> 00:26:46,118 AND 7 MINUTES TO DRIVE ME HOME. WE'LL MAKE IT. 584 00:26:46,185 --> 00:26:48,086 3 MINUTES TO GET TO THE DOCK? ARE YOU KIDDING? 585 00:26:48,153 --> 00:26:50,088 IT TOOK ME 15 MINUTES TO PADDLE OUT HERE. 586 00:26:50,155 --> 00:26:51,923 THAT'S BECAUSE YOU WERE SITTING DOWN. 587 00:26:51,990 --> 00:26:54,392 YOU CAN'T MAKE ANY TIME THAT WAY. STAND UP AND PADDLE. 588 00:26:54,459 --> 00:26:56,427 YOU'RE NOT SUPPOSED TO STAND UP IN A CANOE. 589 00:26:56,494 --> 00:26:59,631 THAT'S JUST A MYTH. INDIANS DID IT ALL THE TIME. 590 00:26:59,697 --> 00:27:01,633 BUT I'LL TIP THE BOAT. 591 00:27:01,700 --> 00:27:03,602 NONSENSE. 592 00:27:03,668 --> 00:27:05,270 AAH! 593 00:27:11,443 --> 00:27:13,244 NO, NO! ABSOLUTELY NOT! 594 00:27:13,311 --> 00:27:14,512 NOW, GEORGE. 595 00:27:14,579 --> 00:27:17,248 SHE IS NOT GOING OUT AGAIN TONIGHT WITH THAT MONSTER. 596 00:27:17,315 --> 00:27:21,186 DO YOU KNOW WHEN HE DROVE IN LAST NIGHT? 11:30. THAT'S WHEN. 597 00:27:21,253 --> 00:27:22,287 THAT'S NOT SO BAD. 598 00:27:22,354 --> 00:27:24,289 AND SOAKING WET. IS THAT ALL RIGHT, TOO? 599 00:27:24,355 --> 00:27:27,025 IT WAS AN ACCIDENT. COULD HAVE HAPPENED TO ANYONE. 600 00:27:27,092 --> 00:27:29,962 MAYBE, BUT TO HIM, IT HAD TO HAPPEN. 601 00:27:30,028 --> 00:27:33,131 THAT KID IS A FUGITIVE FROM THE LAUGHING ACADEMY. 602 00:27:33,198 --> 00:27:34,332 NOW, GEORGE. 603 00:27:34,399 --> 00:27:37,503 LOOK, PANSY IS A YOUNG, IMPRESSIONABLE GIRL. 604 00:27:37,569 --> 00:27:39,504 HER MIND IS STILL BEING FORMED. 605 00:27:39,571 --> 00:27:40,972 WE MUST NURTURE IT CAREFULLY 606 00:27:41,039 --> 00:27:43,508 UNTIL IT'S STRONG ENOUGH TO GROW BY ITSELF. 607 00:27:43,574 --> 00:27:45,210 LIKE A LITTLE FLOWER? 608 00:27:45,277 --> 00:27:46,512 PRECISELY. 609 00:27:46,578 --> 00:27:48,513 THEN MAYBE I SHOULD RUN UPSTAIRS 610 00:27:48,579 --> 00:27:49,981 AND WATER HER HEAD. 611 00:27:50,048 --> 00:27:52,384 VERY FUNNY, BUT SHE IS NOT GOING OUT TONIGHT. 612 00:27:52,451 --> 00:27:55,520 AND I SAY SHE IS. YOU'RE NOT GOING TO RUN THIS PLACE 613 00:27:55,587 --> 00:27:56,855 LIKE A HOUSE OF CORRECTION. 614 00:27:56,921 --> 00:27:59,524 PANSY'S FRIENDS HAVE DATES, AND SO WILL SHE. 615 00:27:59,591 --> 00:28:00,626 NOW, NOW, LISTEN-- 616 00:28:00,692 --> 00:28:02,027 YOU HEARD ME. 617 00:28:02,094 --> 00:28:04,162 ALL RIGHT, BUT IF HE DOESN'T BRING HER IN 618 00:28:04,229 --> 00:28:06,331 BY 10:00 TONIGHT-- UNDAMAGED-- 619 00:28:06,398 --> 00:28:08,533 IT'LL BE THE LAST TIME. DO YOU HEAR? 620 00:28:08,600 --> 00:28:10,335 YES, DEAR. 621 00:28:18,676 --> 00:28:19,778 COME ON, PANSY. IT'S LATE. 622 00:28:19,844 --> 00:28:21,847 RELAX. WE'VE GOT PLENTY OF TIME. 623 00:28:21,913 --> 00:28:23,215 COME ON. FINISH IT. 624 00:28:23,282 --> 00:28:25,550 WHAT'S YOUR HURRY? NOTHING CAN GO WRONG TONIGHT. 625 00:28:25,617 --> 00:28:28,553 YOU SAID IT. NOTHING CAN GO WRONG TONIGHT. 626 00:28:28,620 --> 00:28:29,654 FINISH IT, AND WE'LL LEAVE. 627 00:28:29,721 --> 00:28:30,522 SHH. LOOK! 628 00:28:30,588 --> 00:28:32,224 [JAZZ MUSIC PLAYING] 629 00:28:55,280 --> 00:29:00,651 ♪ THERE'S THEM THAT DOES ♪ 630 00:29:00,718 --> 00:29:03,454 ♪ AND THEM THAT DON'T ♪ 631 00:29:03,521 --> 00:29:09,761 ♪ AND THEM THAT SAYS THEY WILL, BUT WON'T ♪ 632 00:29:09,827 --> 00:29:14,432 ♪ SO IF SATAN TEMPTS YOU ♪ 633 00:29:14,499 --> 00:29:18,069 ♪ HOLD ON TIGHT ♪ 634 00:29:18,136 --> 00:29:22,907 ♪ 'CAUSE YOU CAN'T DO WRONG DOIN' RIGHT ♪ 635 00:29:22,974 --> 00:29:24,942 ♪ THERE'S THEM THAT'S GOOD ♪ 636 00:29:25,009 --> 00:29:27,045 ♪ AND THEM THAT'S MEAN ♪ 637 00:29:27,111 --> 00:29:31,316 ♪ AND THEM THAT'S SOMEWHERE IN BETWEEN ♪ 638 00:29:31,383 --> 00:29:33,251 ♪ BUT IT LOOKS TO ME ♪ 639 00:29:33,318 --> 00:29:35,220 ♪ FROM WHAT I'VE SEEN ♪ 640 00:29:35,286 --> 00:29:38,990 ♪ THAT YOU CAN'T DO WRONG DOIN' RIGHT ♪ 641 00:29:39,057 --> 00:29:44,229 ♪ LOOK AT THAT GAL DELILAH ♪ 642 00:29:44,296 --> 00:29:49,401 ♪ SHE HAD 'EM ALL IN A SPIN ♪ 643 00:29:49,467 --> 00:29:53,972 ♪ SHE CLIPPED THE MIGHTY SAMSON ♪ 644 00:29:54,039 --> 00:29:59,010 ♪ BUT SHE GOT CAUGHT WHEN THE HOUSE FELL IN ♪ 645 00:29:59,077 --> 00:30:00,945 ♪ SO YOU SEE ♪ 646 00:30:01,012 --> 00:30:03,281 ♪ THERE'S GOT TO BE ♪ 647 00:30:03,347 --> 00:30:07,719 ♪ JUST ONE ROAD FOR YOU AND ME ♪ 648 00:30:07,786 --> 00:30:09,820 ♪ LET OLD SATAN KNOW ♪ 649 00:30:09,887 --> 00:30:11,423 ♪ HE'S LOST THE FIGHT ♪ 650 00:30:11,490 --> 00:30:15,026 ♪ 'CAUSE YOU CAN'T DO WRONG DOIN' RIGHT ♪ 651 00:30:15,092 --> 00:30:16,794 ALL RIGHT. LET'S GO. 652 00:30:16,861 --> 00:30:19,131 COME ON. LET'S GO. HEY! 653 00:30:44,455 --> 00:30:47,960 Both: ♪ 'CAUSE YOU CAN'T DO WRONG DOIN' RIGHT ♪ 654 00:31:03,074 --> 00:31:04,709 ♪ SO YOU SEE ♪ 655 00:31:04,776 --> 00:31:06,110 ♪ THERE'S GOT TO BE ♪ 656 00:31:06,177 --> 00:31:09,381 ♪ JUST ONE ROAD FOR YOU AND FOR ME ♪ 657 00:31:09,447 --> 00:31:11,749 YOU SAID IT. THERE'S ONLY ONE ROAD FOR YOU AND FOR ME, 658 00:31:11,816 --> 00:31:14,019 AND THAT'S HOME. LET'S GO, HUH? 659 00:31:39,878 --> 00:31:42,180 [APPLAUSE] 660 00:31:46,117 --> 00:31:48,053 [ENGINE SPUTTERING] 661 00:31:50,855 --> 00:31:52,090 [ENGINE STOPS] 662 00:31:52,157 --> 00:31:54,026 [ENGINE NOT STARTING] 663 00:31:59,730 --> 00:32:01,032 WELL, WHAT'S WRONG? 664 00:32:01,099 --> 00:32:04,168 LET US NOT LOSE OUR HEADS. IT IS ONLY 20 MINUTES TO 10:00. 665 00:32:04,235 --> 00:32:06,003 WE'RE ONLY A MILE FROM YOUR HOUSE. 666 00:32:06,070 --> 00:32:08,005 WE'LL GET OUT OF THE CAR AND START WALKING. 667 00:32:08,072 --> 00:32:09,541 Pansy: BUT I CAN'T WALK IN THESE SHOES. 668 00:32:09,607 --> 00:32:11,843 YOU CAN TAKE THEM OFF AND GO BAREFOOT, 669 00:32:11,910 --> 00:32:13,311 OR IF YOU PREFER, I WILL CARRY YOU. 670 00:32:13,378 --> 00:32:15,547 IN ANY CASE, WE ARE WALKING. 671 00:32:15,614 --> 00:32:18,049 AREN'T YOU EVEN GOING TO LIFT UP THE HOOD 672 00:32:18,115 --> 00:32:19,517 AND LOOK AT THE MOTOR? 673 00:32:19,584 --> 00:32:21,119 EVERYBODY ELSE DOES WHEN A CAR BREAKS DOWN. 674 00:32:21,185 --> 00:32:23,221 MY IGNORANCE OF MOTORS IS SPECTACULAR. 675 00:32:23,288 --> 00:32:24,789 COME ON. LET'S JUST LOOK AT IT. 676 00:32:24,856 --> 00:32:27,759 MAYBE WE'LL SEE SOMETHING LOOSE OR SOMETHING. 677 00:32:27,825 --> 00:32:29,060 OH, ALL RIGHT. 678 00:32:29,126 --> 00:32:31,363 GOODY. I LOVE TO LOOK AT MOTORS. 679 00:32:34,199 --> 00:32:36,401 YOU HAVE A VERY NICE MOTOR, DOBIE. 680 00:32:36,468 --> 00:32:37,702 THANK YOU. 681 00:32:37,769 --> 00:32:40,204 ALL THOSE WIRES AND BOLTS AND EVERYTHING. 682 00:32:40,271 --> 00:32:41,906 OK. LET'S START WALKING. 683 00:32:41,973 --> 00:32:43,407 WAIT A MINUTE. I THINK I SEE 684 00:32:43,474 --> 00:32:46,244 SOMETHING LOOSE, HUH, RIGHT OVER THERE? 685 00:32:46,310 --> 00:32:50,014 YEAH. YEAH. THERE IS SOMETHING LOOSE. 686 00:32:50,081 --> 00:32:52,717 YOU GO START THE MOTOR, AND I'LL WATCH. 687 00:32:52,784 --> 00:32:54,786 YEAH. OK. 688 00:32:57,321 --> 00:32:59,591 Pansy: OK, DOBIE! START HER UP! 689 00:32:59,658 --> 00:33:01,326 [ENGINE NOT STARTING] 690 00:33:01,960 --> 00:33:08,300 [ENGINE STARTS] 691 00:33:15,307 --> 00:33:18,844 IT STARTED! HEY, IT STARTED! 692 00:33:25,683 --> 00:33:28,419 THANK GOODNESS THE LIGHTS ARE OUT. THEY'VE GONE TO BED. 693 00:33:28,486 --> 00:33:30,255 IT'S ABOUT TIME SOMETHING GOOD HAPPENED TO US. 694 00:33:30,321 --> 00:33:33,057 I DON'T THINK YOU BETTER WALK ME TO THE DOOR. 695 00:33:33,124 --> 00:33:34,626 WELL, MAYBE YOU'RE RIGHT. 696 00:33:34,693 --> 00:33:36,060 GOOD NIGHT. 697 00:33:36,127 --> 00:33:37,662 GOOD NIGHT. 698 00:34:12,396 --> 00:34:14,633 [GUNSHOTS ON TELEVISION] 699 00:34:16,935 --> 00:34:18,370 PANSY! 700 00:34:21,206 --> 00:34:22,674 AND DADDY SAYS IF YOU COME AROUND AGAIN, 701 00:34:22,740 --> 00:34:24,275 HE'LL KNOCK YOU INTO THE GROUND LIKE A TENT POLE. 702 00:34:24,341 --> 00:34:25,809 BUT I LOVE YOU! 703 00:34:25,876 --> 00:34:29,147 I LOVE YOU, TOO, DOBIE, BUT DADDY SAYS HE'LL MURDER YOU, 704 00:34:29,214 --> 00:34:32,216 AND THERE ISN'T A JURY IN THE COUNTRY THAT'LL CONVICT HIM. 705 00:34:32,283 --> 00:34:34,019 IF WE CAN'T SEE EACH OTHER AT NIGHT, 706 00:34:34,084 --> 00:34:36,954 THEN WE'LL CUT CLASSES AND HAVE FUN IN THE DAYTIME. 707 00:34:37,021 --> 00:34:38,255 WHAT CAN YOU DO IN THE DAYTIME? 708 00:34:38,321 --> 00:34:39,756 WONDERFUL THINGS! 709 00:34:39,823 --> 00:34:41,958 GOING FOR LONG RIDES, HAVING PICNICS, 710 00:34:42,026 --> 00:34:43,227 LONG WALKS IN THE COUNTRY. 711 00:34:43,294 --> 00:34:45,297 BUT WHAT ABOUT OUR CLASSES? 712 00:34:45,363 --> 00:34:46,898 WHEN IT RAINS. 713 00:34:54,339 --> 00:34:57,008 ♪ LA DA DUM DA DEE DUM DUM ♪ 714 00:34:57,075 --> 00:35:00,511 ♪ YOU BETTER TAKE YOUR HAND RIGHT OFF OF THAT WHEEL ♪ 715 00:35:00,578 --> 00:35:03,648 ♪ HMM HMM HMM HMM HMM HMM HMM ♪ 716 00:35:03,715 --> 00:35:08,353 ♪ THIS IS JUST LIKE A SCENE WITH HOWARD KEEL ♪ 717 00:35:08,420 --> 00:35:11,089 ♪ COUNTRY LIKE THIS ♪ 718 00:35:11,156 --> 00:35:15,726 ♪ FILLS ME FULL OF ROMANCE ♪ 719 00:35:15,793 --> 00:35:19,930 ♪ LIKE FRED ASTAIRE, GOT TO DANCE ♪ 720 00:35:19,997 --> 00:35:22,567 ♪ LA DA DOO DOO ♪ 721 00:35:22,633 --> 00:35:26,938 ♪ AND WERE THERE MORE THAN 24 ♪ 722 00:35:27,005 --> 00:35:28,239 ♪ HOURS A DAY ♪ 723 00:35:28,306 --> 00:35:30,574 ♪ NO STUDIES, JUST PLAY ♪ 724 00:35:30,641 --> 00:35:34,245 ♪ THEY'D BE SPENT IN SWEET CONTENT ♪ 725 00:35:34,312 --> 00:35:35,379 ♪ DREAMING AWAY ♪ 726 00:35:35,446 --> 00:35:37,414 ♪ ALL NIGHT AND ALL DAY ♪ 727 00:35:37,481 --> 00:35:39,583 ♪ WHEN SKIES ARE GRAY ♪ 728 00:35:39,650 --> 00:35:42,052 ♪ WHEN SKIES ARE BLUE ♪ 729 00:35:42,119 --> 00:35:45,423 Both: ♪ MORNING, NOON, AND NIGHTTIME, TOO ♪ 730 00:35:45,490 --> 00:35:48,926 ♪ ALL I DO THE WHOLE DAY THROUGH ♪ 731 00:35:48,993 --> 00:35:54,064 ♪ IS DREAM OF YOU AND ME TOGETHER LIKE THIS ♪ 732 00:35:54,131 --> 00:35:57,902 ♪ SPENDING MINUTES AND HOURS AND DAYS OF BLISS ♪ 733 00:35:57,968 --> 00:36:01,973 ♪ ALL ALONE AND WITHOUT ANY PEOPLE AROUND ♪ 734 00:36:02,040 --> 00:36:03,942 ♪ NOT A SOUND ♪ 735 00:36:04,009 --> 00:36:08,413 [THUNDER] 736 00:36:17,988 --> 00:36:19,190 Pomfritt: YOU'RE BACK. 737 00:36:19,257 --> 00:36:20,358 YES, SIR. 738 00:36:20,424 --> 00:36:22,193 THAT'S TOO BAD. I'D RATHER HOPED 739 00:36:22,260 --> 00:36:23,795 SOMETHING HAD HAPPENED TO YOU. 740 00:36:25,963 --> 00:36:28,365 WHERE HAVE YOU BEEN, YOU BARRACUDA? 741 00:36:28,432 --> 00:36:30,401 YOU HAD TO COME BACK, HUH? 742 00:36:30,468 --> 00:36:32,537 Pomfritt: YOUR ATTENTION, PLEASE. 743 00:36:32,603 --> 00:36:35,606 I SHOULD LIKE TO REMIND YOU THAT SEVERAL WEEKS AGO, 744 00:36:35,673 --> 00:36:38,342 I ASKED YOU ALL TO WRITE AN ESSAY. 745 00:36:38,409 --> 00:36:41,312 I THINK THAT NOW ENOUGH TIME HAS ELAPSED 746 00:36:41,379 --> 00:36:44,315 FOR EVEN THE MOST DIM AND SLUGGISH OF YOU 747 00:36:44,382 --> 00:36:46,150 TO HAVE COMPLETED THE ASSIGNMENT. 748 00:36:46,217 --> 00:36:48,719 YOUR ESSAYS MUST BE ON MY DESK 749 00:36:48,786 --> 00:36:51,255 NO LATER THAN 5:00 THIS AFTERNOON. 750 00:36:51,322 --> 00:36:53,090 NO EXCUSES WILL BE ACCEPTED. 751 00:36:53,157 --> 00:36:54,291 [WHISPERING] What essay? 752 00:36:54,358 --> 00:36:57,295 How should I know? What essay? 753 00:36:57,361 --> 00:36:59,397 You got to write a 2,000-word essay. 754 00:36:59,463 --> 00:37:01,999 Did you hear that? A 2,000-word essay by 5:00. 755 00:37:02,066 --> 00:37:03,234 We'll do it. 756 00:37:03,300 --> 00:37:06,104 I can't even talk 2,000 words by 5:00. 757 00:37:07,138 --> 00:37:09,440 [CLEARS THROAT] 758 00:37:09,507 --> 00:37:12,443 IF YOU TWO WOULD BE KIND ENOUGH TO TAKE 759 00:37:12,510 --> 00:37:14,845 YOUR GRUBBY LITTLE HANDS OFF EACH OTHER, 760 00:37:14,912 --> 00:37:17,415 I SHOULD LIKE TO COMMENCE MY LECTURE. 761 00:37:17,482 --> 00:37:19,383 THANK YOU. 762 00:37:19,450 --> 00:37:24,556 TODAY WE SHALL TAKE UP THE PROPER USE OF "SHALL" AND "WILL." 763 00:37:28,859 --> 00:37:30,928 NICE TO SEE YOU AFTER ALL THESE WEEKS. 764 00:37:30,995 --> 00:37:31,996 IT'S NICE TO BE HERE. 765 00:37:32,062 --> 00:37:33,564 WHAT'S THE BOTTLE FOR? 766 00:37:33,631 --> 00:37:38,903 DURING YOUR LONG ABSENCE, EACH STUDENT WAS GIVEN AN UNKNOWN TO ANALYZE. 767 00:37:38,969 --> 00:37:40,671 HOW DO YOU ANALYZE AN UNKNOWN? 768 00:37:40,738 --> 00:37:43,340 I EXPLAINED THE PROCESS IN SOME DETAIL WHILE YOU WERE GONE. 769 00:37:43,407 --> 00:37:46,076 WHEN DO WE HAVE TO HAND IN OUR REPORTS? 770 00:37:46,143 --> 00:37:47,712 TOMORROW MORNING. 771 00:37:49,880 --> 00:37:52,717 IF YOU WERE THINKING OF COPYING SOMEONE ELSE'S REPORT, 772 00:37:52,783 --> 00:37:54,318 I THINK IT ONLY FAIR TO TELL YOU 773 00:37:54,385 --> 00:37:57,589 THAT EACH STUDENT HAS A DIFFERENT UNKNOWN. 774 00:38:00,391 --> 00:38:02,827 FIRST THE ESSAY. NOW THIS. 775 00:38:02,894 --> 00:38:04,495 LET'S BORROW SOMEBODY'S NOTES. 776 00:38:04,562 --> 00:38:07,031 YEAH. CHARLIE, CAN I HAVE A LOOK AT YOUR NOTES? 777 00:38:07,098 --> 00:38:08,198 HERE. TAKE MINE. 778 00:38:08,265 --> 00:38:09,601 THANKS. 779 00:38:10,735 --> 00:38:12,203 LOOK AT ALL THIS STUFF. 780 00:38:12,270 --> 00:38:14,872 THIS'LL TAKE US ALL NIGHT. 781 00:38:14,939 --> 00:38:16,273 THAT'S IT. 782 00:38:16,340 --> 00:38:17,108 THAT'S WHAT? 783 00:38:17,175 --> 00:38:18,576 WE'LL WORK ALL NIGHT. 784 00:38:18,643 --> 00:38:21,145 HERE IN THE LAB? BUT, DOBIE, THEY DON'T ALLOW STUDENTS 785 00:38:21,212 --> 00:38:22,346 IN THE CLASSROOMS AT NIGHT, 786 00:38:22,413 --> 00:38:24,248 ESPECIALLY STUDENTS OF MIXED SEXES. 787 00:38:24,315 --> 00:38:27,351 WE'LL SNEAK IN JUST BEFORE CLOSING TIME AND HIDE IN THE CLOSET, 788 00:38:27,418 --> 00:38:28,686 AND THEN WHEN EVERYBODY GOES, 789 00:38:28,753 --> 00:38:30,588 WE'LL TIPTOE OUT AND PULL THE SHADES 790 00:38:30,655 --> 00:38:32,690 AND LIGHT OUR BURNERS AND DO THE EXPERIMENT. 791 00:38:32,756 --> 00:38:34,659 I'M WITH YOU, BUT FIRST OF ALL, 792 00:38:34,725 --> 00:38:37,361 WE'LL GO TO THE LIBRARY AND WRITE OUR ESSAYS. 793 00:38:37,428 --> 00:38:37,428 RIGHT. 794 00:38:37,428 --> 00:38:39,164 RIGHT. 795 00:39:22,873 --> 00:39:24,909 PANSY, COULD YOU LOVE A CHEAT? 796 00:39:24,976 --> 00:39:26,243 WHAT? 797 00:39:26,310 --> 00:39:29,480 IT'S NOW 4:30. I'LL NEVER GET AN ESSAY WRITTEN BY 5:00. 798 00:39:29,546 --> 00:39:31,148 I'M GOING TO COPY ONE FROM THIS BOOK. 799 00:39:31,215 --> 00:39:32,750 DOBIE, YOU'RE NOT. 800 00:39:32,817 --> 00:39:34,652 I KNOW IT'S A HORRIBLE THING, BUT IF I DON'T COPY THE ESSAY, 801 00:39:34,719 --> 00:39:38,456 I FLUNK THE COURSE, I GET KICKED OUT OF SCHOOL, I'M NOT WITH YOU ANYMORE, 802 00:39:38,523 --> 00:39:40,625 AND TO BE WITH YOU, I'D DO ANYTHING. 803 00:39:41,892 --> 00:39:44,963 OF COURSE, IF YOU PUT IT THAT WAY-- 804 00:39:45,029 --> 00:39:46,263 THEN IT'S ALL RIGHT? 805 00:39:46,330 --> 00:39:48,032 YOU'RE NOT GOING TO MAKE THIS A HABIT, ARE YOU, DOBIE? 806 00:39:48,099 --> 00:39:50,268 NO, NO. AFTER THIS, I GO STRAIGHT. 807 00:39:59,910 --> 00:40:01,312 HERE THEY ARE, PROFESSOR. 808 00:40:01,379 --> 00:40:05,783 PSHAW. I WAS SO LOOKING FORWARD TO FLUNKING YOU. 809 00:40:05,850 --> 00:40:09,520 WELL, PERHAPS THE ESSAYS WON'T BE ANY GOOD, 810 00:40:09,586 --> 00:40:11,122 AND I CAN FLUNK YOU ANYHOW, HUH? 811 00:40:42,986 --> 00:40:43,721 SHH. 812 00:40:43,788 --> 00:40:45,189 DOBIE, I'M SCARED. 813 00:40:45,256 --> 00:40:47,725 IT'LL BE ALL RIGHT AS SOON AS WE START WORKING. 814 00:40:47,791 --> 00:40:50,028 YEAH, BUT CAN'T WE TURN THE LIGHTS ON? 815 00:40:50,094 --> 00:40:52,063 NO. WE'D BETTER NOT. 816 00:40:52,129 --> 00:40:56,033 PANSY, LET ME PUT THIS AS KINDLY AS POSSIBLE. 817 00:40:56,099 --> 00:40:58,236 I THINK I'D BETTER DO ALL THE LAB WORK. 818 00:40:58,302 --> 00:41:00,504 BUT I LOVE LAB WORK. 819 00:41:00,571 --> 00:41:01,705 I KNOW, BUT WE CAN'T AFFORD 820 00:41:01,772 --> 00:41:04,108 ANY EXPLOSIONS RIGHT NOW. 821 00:41:04,174 --> 00:41:06,244 YOU READ THE NOTES TO ME WHILE I DO THE WORK. 822 00:41:06,311 --> 00:41:08,045 ALL RIGHT. 823 00:41:08,112 --> 00:41:12,049 "TO TEST FOR METALS OF THE HYDROCHLORIC ACID GROUP, 824 00:41:12,116 --> 00:41:15,753 "ADD DILUTE HYDROCHLORIC ACID WITH A CONSTANT STIRRING 825 00:41:15,820 --> 00:41:18,723 "UNTIL A PRECIPITATE CEASES TO FORM. 826 00:41:18,789 --> 00:41:21,159 DECANT THE SUPERNATANT LIQUID..." 827 00:41:29,867 --> 00:41:32,269 WELL, THAT DOES IT. 828 00:41:32,336 --> 00:41:34,772 YEAH? WHAT IS IT? 829 00:41:34,839 --> 00:41:37,275 SILVER. SILVER CHLORIDE. 830 00:41:37,341 --> 00:41:39,077 OH. 831 00:41:41,679 --> 00:41:44,982 WELL, I GUESS WE'D BETTER START ON YOURS. 832 00:41:45,049 --> 00:41:46,384 YEAH. 833 00:41:47,852 --> 00:41:50,788 AW, POOR DOBIE. WHY DON'T YOU TRY 834 00:41:50,854 --> 00:41:53,791 TO SLEEP FOR A FEW MINUTES, HUH? 835 00:41:53,858 --> 00:41:55,793 WELL, MAYBE I'D BETTER. 836 00:41:55,860 --> 00:41:57,795 JUST 5 MINUTES. 837 00:41:57,862 --> 00:42:00,798 AND DON'T FORGET TO WAKE ME. 838 00:42:00,864 --> 00:42:02,800 ALL RIGHT. POOR DOBIE. 839 00:42:02,867 --> 00:42:05,970 AND, PANSY, PLEASE DON'T DO ANYTHING 840 00:42:06,037 --> 00:42:08,072 WITH THE CHEMICALS. PLEASE. 841 00:42:08,138 --> 00:42:10,108 NO, NO, NO. I WON'T, DOBIE. NO. 842 00:43:27,117 --> 00:43:28,486 OH! 843 00:43:30,120 --> 00:43:32,223 AH! 844 00:43:42,733 --> 00:43:44,168 PANSY! 845 00:43:44,235 --> 00:43:45,469 [ALARM RINGING] 846 00:43:45,536 --> 00:43:46,937 PANSY! 847 00:43:47,004 --> 00:43:48,939 PANSY, ARE YOU ALL RIGHT? 848 00:43:49,006 --> 00:43:50,975 PANSY, ARE YOU ALL RIGHT? 849 00:43:51,042 --> 00:43:54,177 I'M FINE. I'M FINE. FINE, THANKS. FINE. 850 00:43:54,244 --> 00:43:55,479 [SIRENS] 851 00:43:55,546 --> 00:43:56,614 OH, DO YOU HATE ME, DOBIE? 852 00:43:56,681 --> 00:44:00,184 NO, PANSY. NOBODY'S PERFECT. 853 00:44:00,251 --> 00:44:01,986 I DO LOVE YOU SO. 854 00:44:02,053 --> 00:44:04,288 AND I LOVE YOU, PANSY. 855 00:44:07,457 --> 00:44:08,926 Fireman: IN HERE, BOYS! 856 00:44:08,993 --> 00:44:10,227 Second fireman: BRING THE HOSES THROUGH HERE! 857 00:44:10,294 --> 00:44:12,230 Third fireman: GET THAT PRESSURE UP! 858 00:44:18,168 --> 00:44:19,537 DON'T YOU LEER AT HER, YOU DEMON! 859 00:44:19,603 --> 00:44:21,605 DADDY, I KEEP TELLING YOU IT WAS ALL MY FAULT. 860 00:44:21,672 --> 00:44:23,207 NO, SIR. IT WAS MY FAULT. I WAS-- 861 00:44:23,274 --> 00:44:24,775 SHUT UP! DON'T TALK TO ME! 862 00:44:24,842 --> 00:44:27,645 DON'T TALK TO PANSY! DON'T TALK TO ANY OF US! 863 00:44:27,712 --> 00:44:28,712 BUT, SIR-- 864 00:44:28,779 --> 00:44:30,348 THE DEAN WILL SEE YOU NOW. 865 00:44:40,958 --> 00:44:42,893 MR. HAMMER, I'VE CONSIDERED THE FACTS 866 00:44:42,960 --> 00:44:44,461 OF YOUR DAUGHTER'S CASE VERY THOROUGHLY, 867 00:44:44,528 --> 00:44:46,063 AND THIS IS MY DECISION. 868 00:44:46,130 --> 00:44:48,465 NEVER MIND, DEAN. I'VE ALREADY MADE MY DECISION. 869 00:44:48,532 --> 00:44:50,234 I'M SENDING HER AWAY. SHE'LL LIVE IN NEW YORK 870 00:44:50,300 --> 00:44:52,102 WITH HER AUNT AND GO TO SCHOOL THERE. 871 00:44:52,169 --> 00:44:55,806 DADDY, IT ISN'T TRUE! YOU CAN'T DO THIS! 872 00:44:55,873 --> 00:44:57,275 MOMMY, IT ISN'T TRUE. 873 00:44:57,341 --> 00:44:57,975 I'M SORRY, PANSY. 874 00:44:58,041 --> 00:44:58,909 MR. HAMMER, SINCE YOU 875 00:44:58,976 --> 00:45:00,177 HAVE MADE YOUR DECISION, 876 00:45:00,244 --> 00:45:02,246 I SEE NO NEED TO PROLONG THIS CONFERENCE. 877 00:45:02,313 --> 00:45:05,182 ONE MORE THING, DEAN. I URGE YOU MOST STRONGLY, 878 00:45:05,249 --> 00:45:07,918 IF YOU HAVE ANY INTEREST IN PRESERVING THIS UNIVERSITY, 879 00:45:07,985 --> 00:45:09,420 GET RID OF DOBIE GILLIS! 880 00:45:09,486 --> 00:45:10,922 NOW, GEORGE-- 881 00:45:10,988 --> 00:45:12,924 EXPEL HIM! FIRE HIM! BANISH HIM! 882 00:45:12,990 --> 00:45:15,326 GET HIM OUT OF HERE, THAT'S ALL. 883 00:45:15,392 --> 00:45:16,794 DADDY, I LOVE DOBIE. 884 00:45:16,861 --> 00:45:18,896 JUST GET HIM OUT OF HERE! 885 00:45:18,963 --> 00:45:21,432 OH, DOBIE! THEY'RE SENDING ME AWAY! 886 00:45:21,498 --> 00:45:22,933 LET GO OF HER! 887 00:45:23,000 --> 00:45:24,235 PLEASE, SIR! MR. HAMMER! 888 00:45:24,301 --> 00:45:26,437 DON'T YOU EVER DARE LOOK AT HER AGAIN! 889 00:45:26,503 --> 00:45:27,905 DOBIE! DOBIE! 890 00:45:27,972 --> 00:45:29,239 I'LL GET YOU THROWN OUT OF THIS UNIVERSITY! 891 00:45:29,306 --> 00:45:31,943 YOU'LL FIND OUT! PANSY, COME ALONG! 892 00:45:32,009 --> 00:45:34,144 DOBIE! DOBIE! 893 00:45:34,211 --> 00:45:35,245 [BUZZER] 894 00:45:35,312 --> 00:45:37,514 Dean over intercom: SEND IN GILLIS. 895 00:45:37,581 --> 00:45:39,550 THE DEAN WILL SEE YOU NOW. 896 00:45:46,324 --> 00:45:49,259 MR. GILLIS, THE RULES OF THIS UNIVERSITY 897 00:45:49,326 --> 00:45:51,962 SPECIFICALLY PROHIBIT CORPORAL PUNISHMENT. 898 00:45:52,029 --> 00:45:54,931 ALL I CAN DO IS EXPEL YOU. 899 00:45:54,998 --> 00:45:56,266 HOWEVER, PROFESSOR POMFRITT 900 00:45:56,333 --> 00:45:59,269 HAS ASKED ME NOT TO THROW YOU OUT. 901 00:45:59,336 --> 00:46:01,972 NO, DEAN. WE MUSTN'T LOSE A TALENT 902 00:46:02,039 --> 00:46:03,274 LIKE MR. GILLIS HERE. 903 00:46:03,341 --> 00:46:05,509 IN ALL MY YEARS OF TEACHING, 904 00:46:05,576 --> 00:46:06,844 I HAVE NEVER READ AN ESSAY 905 00:46:06,911 --> 00:46:09,246 LIKE THE ONE HE HANDED IN YESTERDAY. 906 00:46:09,313 --> 00:46:12,049 WHAT ELOQUENCE. WHAT GRACE. 907 00:46:12,116 --> 00:46:13,851 WHAT STATELINESS. 908 00:46:13,917 --> 00:46:15,318 YOU'D NEVER THINK THAT A MIND 909 00:46:15,385 --> 00:46:17,855 SO TRENCHANT, SO PENETRATIVE 910 00:46:17,921 --> 00:46:21,358 COULD EXIST BEHIND THAT TINY BROW. 911 00:46:21,425 --> 00:46:24,361 IN VIEW OF PROFESSOR POMFRITT'S STRONG FEELING, 912 00:46:24,428 --> 00:46:27,198 I'VE DECIDED TO PUT YOU ON PROBATION, 913 00:46:27,264 --> 00:46:29,634 BUT THE FIRST TIME YOU GET OUT OF LINE, 914 00:46:29,700 --> 00:46:32,603 YOU'RE THROUGH HERE. UNDERSTAND? 915 00:46:32,670 --> 00:46:33,837 YES, SIR. 916 00:46:33,904 --> 00:46:35,473 THAT'S ALL. 917 00:46:47,184 --> 00:46:48,419 ♪ I'M THROUGH WITH LOVE ♪ 918 00:46:48,485 --> 00:46:50,021 ♪ I'LL NEVER FALL AGAIN ♪ 919 00:46:50,087 --> 00:46:52,723 ♪ I'VE SAID ADIEU TO LOVE ♪ 920 00:46:52,789 --> 00:46:54,492 ♪ DON'T EVER CALL AGAIN ♪ 921 00:46:54,558 --> 00:46:59,230 ♪ FOR I MUST HAVE YOU OR NO ONE ♪ 922 00:46:59,296 --> 00:47:03,066 ♪ AND SO I'M THROUGH WITH LOVE ♪ 923 00:47:03,133 --> 00:47:05,035 ♪ I'VE LOCKED MY HEART ♪ 924 00:47:05,102 --> 00:47:07,404 ♪ I'LL KEEP MY FEELINGS THERE ♪ 925 00:47:07,471 --> 00:47:09,072 ♪ AND I'VE STOCKED MY HEART ♪ 926 00:47:09,139 --> 00:47:11,375 ♪ WITH ICY, FRIGID AIR ♪ 927 00:47:11,442 --> 00:47:15,880 ♪ AND I MEAN TO CARE FOR NO ONE ♪ 928 00:47:15,946 --> 00:47:20,084 ♪ BECAUSE I'M THROUGH WITH LOVE ♪ 929 00:47:20,150 --> 00:47:24,555 ♪ MY NIGHTS ARE LONELY, THERE'S NO PLACE TO GO ♪ 930 00:47:24,621 --> 00:47:28,425 ♪ MY ONE AND ONLY HAS GONE, BUT I KNOW ♪ 931 00:47:28,492 --> 00:47:32,663 ♪ THAT JUST TO SEE HER, I'D CRAWL THROUGH THE SNOW ♪ 932 00:47:32,729 --> 00:47:36,867 ♪ BUT WHAT'S THE USE? IT'S IMPOSSIBLE, SO ♪ 933 00:47:36,934 --> 00:47:39,437 ♪ GOOD-BYE TO SPRING ♪ 934 00:47:39,503 --> 00:47:41,905 ♪ AND ALL IT MEANT TO ME ♪ 935 00:47:41,972 --> 00:47:43,640 ♪ IT WILL NEVER BRING ♪ 936 00:47:43,707 --> 00:47:46,210 ♪ THE THING THAT USED TO BE ♪ 937 00:47:46,276 --> 00:47:50,381 ♪ FOR I MUST HAVE YOU OR NO ONE ♪ 938 00:47:50,447 --> 00:47:54,352 ♪ AND SO I'M THROUGH WITH LOVE ♪ 939 00:48:58,648 --> 00:49:03,988 ♪ AND SO I'M THROUGH WITH LOVE ♪ 940 00:49:04,055 --> 00:49:08,692 ♪ I'M ABSOLUTELY, POSITIVELY THROUGH ♪ 941 00:49:10,226 --> 00:49:12,663 ♪ WITH LOVE ♪ 942 00:49:27,143 --> 00:49:28,311 HELLO, OPERATOR. I'D LIKE TO MAKE 943 00:49:28,378 --> 00:49:29,780 A PERSON-TO-PERSON CALL TO DOBIE GILLIS-- 944 00:49:29,846 --> 00:49:32,215 REVERSE THE CHARGES-- AT GRAINBELT UNIVERSITY. 945 00:49:32,282 --> 00:49:37,021 YEAH? YEAH. YEAH, I'LL ACCEPT THE CHARGES. 946 00:49:37,087 --> 00:49:38,321 HELLO, PANSY? 947 00:49:38,388 --> 00:49:41,024 PANSY DEAR, HOW ARE YOU? 948 00:49:41,091 --> 00:49:43,327 DOBIE, OH, I'M SO LONELY, 949 00:49:43,393 --> 00:49:46,696 SO TERRIBLY, DESPERATELY LONELY. 950 00:49:46,763 --> 00:49:48,232 ME, TOO. 951 00:49:48,298 --> 00:49:50,767 COULDN'T YOU POSSIBLY FLY OUT FOR JUST A DAY OR TWO? 952 00:49:50,834 --> 00:49:53,037 PANSY, I'D LOVE TO, BUT I JUST HAVEN'T GOT THE MONEY. 953 00:49:53,103 --> 00:49:55,306 CAN'T YOU BORROW IT? 954 00:49:55,372 --> 00:49:57,875 I'VE ALREADY BORROWED ALL I CAN. 955 00:49:57,941 --> 00:49:59,944 YOU HAVE? WHAT FOR? 956 00:50:00,010 --> 00:50:01,745 AS A MATTER OF FACT, 957 00:50:01,812 --> 00:50:04,748 TO PAY FOR THE PHONE CALLS YOU KEEP MAKING. 958 00:50:04,814 --> 00:50:05,549 OH. 959 00:50:05,616 --> 00:50:07,017 BUT THAT'S ALL RIGHT. 960 00:50:07,084 --> 00:50:09,419 IT'S WORTH ANYTHING TO TALK TO YOU. 961 00:50:09,486 --> 00:50:11,154 AND I LOVE TALKING TO YOU. 962 00:50:11,221 --> 00:50:12,289 ME, TOO. 963 00:50:12,356 --> 00:50:13,957 BUT IT ISN'T THE SAME AS SEEING YOU. 964 00:50:14,024 --> 00:50:15,559 IF ONLY YOU COULD GET TO NEW YORK. 965 00:50:15,626 --> 00:50:17,961 IF ONLY YOU COULD RAISE THE MONEY SOMEHOW. 966 00:50:18,028 --> 00:50:19,696 I'LL TRY MY BEST. 967 00:50:19,763 --> 00:50:20,630 PLEASE DO, DOBIE. 968 00:50:20,697 --> 00:50:21,232 I WILL. 969 00:50:21,298 --> 00:50:22,332 [DOOR CLOSES] 970 00:50:22,399 --> 00:50:23,266 I HAVE TO SAY GOOD-BYE NOW, DOBIE. 971 00:50:23,333 --> 00:50:24,869 I HEAR AUNT NAOMI COMING. 972 00:50:31,408 --> 00:50:33,310 CHARLIE, CAN YOU LEND ME SOME MONEY? 973 00:50:33,377 --> 00:50:36,179 MONEY? YOU GOT ROCKS IN YOUR HEAD? 974 00:50:36,246 --> 00:50:37,915 OH. WELL, THANKS ANYHOW. 975 00:50:37,982 --> 00:50:42,987 DOBIE, WOULD YOU MIND STEPPING INTO THE LOUNGE FOR A MINUTE, PLEASE? 976 00:50:43,053 --> 00:50:45,689 ALL RIGHT. 977 00:50:52,696 --> 00:50:54,632 HI, DOBIE. 978 00:50:54,698 --> 00:50:55,599 OH, HELLO. 979 00:50:55,665 --> 00:50:59,570 UH, DOBIE, NOW THAT PANSY BLEW TOWN, 980 00:50:59,636 --> 00:51:01,805 DON'T YOU THINK YOU OUGHT TO GET A NEW DAME? 981 00:51:01,872 --> 00:51:02,806 ME, FOR INSTANCE? 982 00:51:02,873 --> 00:51:04,374 YEAH. THIS IS A REAL COOL DOLL, DOBIE. 983 00:51:04,441 --> 00:51:07,444 SURE. I'M STRONG, YOUNG, HANDSOME, INTELLIGENT. 984 00:51:07,511 --> 00:51:09,913 SHE SURE IS. SHE'D BE-- 985 00:51:09,980 --> 00:51:11,481 SHE'D BE JUST PERFECT FOR YOU. 986 00:51:11,548 --> 00:51:12,950 DON'T YOU WANT HER? 987 00:51:13,016 --> 00:51:15,252 WANT HER? WHY, DOBIE, 988 00:51:15,319 --> 00:51:17,888 I'D STICK MY ARM IN THE FIRE 989 00:51:17,955 --> 00:51:19,890 UP TO HERE FOR THIS DAME. 990 00:51:19,957 --> 00:51:21,392 THEN? 991 00:51:21,458 --> 00:51:24,894 SHE WANTS YOU, DOBIE, AND IF THAT'S WHAT SHE WANTS, 992 00:51:24,961 --> 00:51:26,196 I GOT TO HELP HER GET IT. 993 00:51:26,263 --> 00:51:27,664 THAT'S HOW I FEEL ABOUT THIS KID. 994 00:51:27,731 --> 00:51:29,666 TAKE A LOOK AT ME. LOOK AT THIS HAIR. 995 00:51:29,733 --> 00:51:31,501 LOOK AT THESE EYES. AND THE TEETH-- 996 00:51:31,568 --> 00:51:35,806 NOT A CAVITY IN THE WHOLE HEAD. LOOK. 997 00:51:35,873 --> 00:51:36,540 VERY NICE TEETH, 998 00:51:36,607 --> 00:51:38,141 BUT I STILL LOVE PANSY. 999 00:51:38,208 --> 00:51:40,377 BUT SHE'S GONE, DOBIE. I'M HERE. 1000 00:51:40,444 --> 00:51:42,045 SHE'S HERE, TOO. 1001 00:51:42,112 --> 00:51:43,046 SHE IS? 1002 00:51:43,113 --> 00:51:45,615 YES. RIGHT HERE IN MY HEART, 1003 00:51:45,682 --> 00:51:47,651 AND THAT'S WHERE SHE'LL ALWAYS BE. 1004 00:51:47,718 --> 00:51:49,920 OH. ARE YOU SURE? 1005 00:51:49,986 --> 00:51:52,389 I'M POSITIVE. 1006 00:51:52,456 --> 00:51:53,823 HOW CAN YOU WIN? 1007 00:51:53,890 --> 00:51:54,325 YOU'VE WON. 1008 00:51:54,391 --> 00:51:55,792 WON WHAT? 1009 00:51:55,859 --> 00:51:57,694 JUST ABOUT THE NOBLEST MAN ON THE CAMPUS IS ALL. 1010 00:51:57,761 --> 00:51:58,995 NOBLE? HIM? 1011 00:51:59,062 --> 00:52:01,731 YES, NOBLE. IMAGINE-- HELPING YOU GET ANOTHER MAN 1012 00:52:01,798 --> 00:52:03,567 WHEN HE LOVES YOU SO DESPERATELY. 1013 00:52:03,634 --> 00:52:06,036 YEAH. HOW NOBLE CAN YOU GET? 1014 00:52:06,103 --> 00:52:07,704 IT CHOKES ME ALL UP INSIDE. 1015 00:52:07,771 --> 00:52:08,471 YEAH? 1016 00:52:08,538 --> 00:52:09,540 SHUCKS, I WAS JUST TRYING 1017 00:52:09,606 --> 00:52:12,943 TO SEE HER HAPPY, THAT'S ALL. 1018 00:52:14,311 --> 00:52:16,646 YOU KNOW SOMETHING? 1019 00:52:16,713 --> 00:52:19,083 MAYBE YOU AIN'T SUCH A MEATBALL AFTER ALL, 1020 00:52:19,149 --> 00:52:20,884 EVEN THOUGH YOU DO LOOK LIKE ONE. 1021 00:52:20,951 --> 00:52:23,187 HE'S NOBLE. 1022 00:52:23,253 --> 00:52:26,256 YEAH. YEAH. I GUESS YOU'RE RIGHT. 1023 00:52:26,323 --> 00:52:28,392 I'D LIKE TO DO SOMETHING NOBLE, TOO. 1024 00:52:28,459 --> 00:52:30,460 HOW CAN I HELP BRING YOU AND PANSY TOGETHER? 1025 00:52:30,527 --> 00:52:31,895 LEND ME SOME MONEY. 1026 00:52:31,962 --> 00:52:33,264 THAT I HAVEN'T GOT. 1027 00:52:33,330 --> 00:52:35,599 DOBIE, MAYBE WE COULD RAISE SOME. 1028 00:52:35,666 --> 00:52:37,000 MAYBE IF WE SOLD SOME THINGS. 1029 00:52:37,067 --> 00:52:38,034 YEAH. SURE. 1030 00:52:38,101 --> 00:52:39,269 THAT'S REAL SWELL OF YOU KIDS. 1031 00:52:39,336 --> 00:52:41,404 YEAH. LET'S SEE. WHAT CAN WE SELL? 1032 00:52:41,471 --> 00:52:42,873 WHAT HAVE WE GOT THAT WE DON'T USE? 1033 00:52:42,940 --> 00:52:46,577 YEAH. THAT'S IT. SOMETHING WE DON'T USE. 1034 00:52:46,644 --> 00:52:47,611 OUR BOOKS! 1035 00:52:47,678 --> 00:52:49,980 SURE. 1036 00:52:54,251 --> 00:52:55,786 GOOD MORNING, GOOD MORNING! 1037 00:52:55,852 --> 00:52:57,254 AND WHAT CAN I DO FOR YOU TODAY? 1038 00:52:57,320 --> 00:52:58,688 WE'D LIKE TO SELL THESE BOOKS, PLEASE. 1039 00:52:58,755 --> 00:53:02,392 OH, YES, PROFESSOR POMFRITT'S BOOK, 1040 00:53:02,459 --> 00:53:03,593 ENGLISH USAGE FOR COLLEGE FRESHMEN. 1041 00:53:03,660 --> 00:53:05,295 EXCELLENT BOOK, EXCELLENT. 1042 00:53:05,362 --> 00:53:06,397 HOW MUCH CAN YOU GIVE US FOR IT, PLEASE? 1043 00:53:06,463 --> 00:53:07,631 $2.50 APIECE. 1044 00:53:07,698 --> 00:53:11,001 $2.50? WE PAID YOU $4.25 FOR THESE BOOKS! 1045 00:53:11,067 --> 00:53:12,269 DEPRECIATION. 1046 00:53:12,336 --> 00:53:13,770 HEY, TELL ME SOMETHING, MAC. 1047 00:53:13,837 --> 00:53:16,139 HOW MUCH DO YOU GET FOR A SECONDHAND COPY? 1048 00:53:16,206 --> 00:53:17,140 $3.75. 1049 00:53:17,206 --> 00:53:18,475 WELL, THAT'S TERRIBLE. 1050 00:53:18,541 --> 00:53:21,211 YOU BUY THEM FOR $2.50, YOU SELL THEM FOR $3.75. 1051 00:53:21,278 --> 00:53:23,747 WHY, HE MAKES A $1.25 ON EACH COPY. 1052 00:53:23,814 --> 00:53:26,817 MY DEAR YOUNG LADY, DO YOU REALIZE THE OVERHEAD IN A PLACE LIKE THIS? 1053 00:53:26,884 --> 00:53:27,884 WHY, I HAVE TO-- 1054 00:53:27,951 --> 00:53:29,486 MEN, I GOT IT! 1055 00:53:29,553 --> 00:53:30,587 THIS IS HOW WE GET THE MONEY TO SEND DOBIE TO NEW YORK! 1056 00:53:30,654 --> 00:53:31,888 Both: WHAT DO YOU MEAN? 1057 00:53:31,955 --> 00:53:33,890 WE GO INTO THE SECONDHAND BOOK BUSINESS. 1058 00:53:33,957 --> 00:53:36,059 WHY SHOULD HAMMERSMITH MAKE ALL THE MONEY? 1059 00:53:36,126 --> 00:53:39,229 LORNA BABY, YOU GOT BRAINS YOU AIN'T EVEN USED YET. 1060 00:53:39,295 --> 00:53:40,564 IT'S A CINCH. 1061 00:53:40,630 --> 00:53:42,166 HOW MANY KIDS USE PROFESSOR POMFRITT'S BOOK? 1062 00:53:42,232 --> 00:53:42,899 300, 400? 1063 00:53:42,966 --> 00:53:44,067 RIGHT. 1064 00:53:44,134 --> 00:53:46,069 WE BUY THE BOOKS, KEEP THEM TILL NEXT SEMESTER 1065 00:53:46,136 --> 00:53:47,737 WHEN THE NEW CLASS COMES IN, 1066 00:53:47,804 --> 00:53:50,207 THEN WE SELL THEM TO THE NEW CLASS AT A BIG, JUICY PROFIT! 1067 00:53:50,274 --> 00:53:51,408 THAT'S GREAT. THAT'S WONDERFUL! 1068 00:53:51,474 --> 00:53:52,976 JUST ONE PROBLEM. 1069 00:53:53,043 --> 00:53:54,377 WHAT? 1070 00:53:54,444 --> 00:53:56,079 WHERE DO WE GET THE MONEY TO BUY THE BOOKS? 1071 00:53:56,146 --> 00:53:57,247 OH, YEAH. 1072 00:53:57,313 --> 00:53:58,882 MAYBE WE COULD BORROW IT? 1073 00:53:58,948 --> 00:54:02,085 WHAT KIND OF SECURITY HAVE WE GOT? 1074 00:54:02,152 --> 00:54:03,386 YOUR CAR, DOBIE. 1075 00:54:03,453 --> 00:54:06,389 YEAH...YOUR CAR. 1076 00:54:06,456 --> 00:54:08,525 HEY, WAIT A MINUTE! 1077 00:54:10,861 --> 00:54:12,029 Lorna: $900. 1078 00:54:12,096 --> 00:54:12,996 Man: $600. 1079 00:54:13,063 --> 00:54:13,063 800. 1080 00:54:13,063 --> 00:54:14,331 625. 1081 00:54:14,398 --> 00:54:14,398 790. 1082 00:54:14,398 --> 00:54:15,332 635. 1083 00:54:15,398 --> 00:54:16,333 780. 1084 00:54:16,399 --> 00:54:17,967 650. 1085 00:54:18,034 --> 00:54:20,037 HEY, LATVIAN, YOU'RE NOT SMILING. 1086 00:54:20,104 --> 00:54:21,738 EXCUSE ME. 1087 00:54:21,805 --> 00:54:25,742 I'LL MAKE IT 675, BUT THAT'S ALL I CAN LEND YOU ON THIS CAR. 1088 00:54:25,809 --> 00:54:28,545 OH, LET'S NOT HAGGLE. 700. 1089 00:54:28,612 --> 00:54:30,213 HOW WOULD YOU LIKE TO COME AND WORK HERE? 1090 00:54:30,279 --> 00:54:31,047 700. 1091 00:54:31,114 --> 00:54:31,782 AS A FULL PARTNER. 1092 00:54:31,848 --> 00:54:33,082 700? 1093 00:54:33,149 --> 00:54:37,687 YOU WIN, BUT REMEMBER, IF YOU DON'T PAY ME IN 30 DAYS, 1094 00:54:37,754 --> 00:54:40,256 I'LL PICK UP THE CAR. 1095 00:54:40,323 --> 00:54:42,225 DON'T WORRY. 1096 00:54:42,292 --> 00:54:48,865 THE CONSTRUCTION "DUE TO" MUST ALWAYS BE PRECEDED BY THE VERB "TO BE." 1097 00:54:48,932 --> 00:54:51,901 IT IS CORRECT, FOR EXAMPLE, TO SAY-- 1098 00:54:51,968 --> 00:54:53,670 [BELL RINGS] 1099 00:54:53,736 --> 00:54:57,307 WE SHALL RESUME AT THIS POINT TOMORROW. CLASS DISMISSED. 1100 00:54:57,374 --> 00:54:59,476 OH, MR. GILLIS... 1101 00:54:59,543 --> 00:55:03,113 COULD I SPEAK WITH YOU FOR A MOMENT, PLEASE? 1102 00:55:11,988 --> 00:55:14,024 MR. GILLIS, YOU KNOW THAT I'VE IMMENSELY ADMIRED YOU 1103 00:55:14,091 --> 00:55:17,394 EVER SINCE YOU HANDED IN THAT SPLENDID ESSAY. 1104 00:55:17,461 --> 00:55:18,929 IT WAS NOTHING. 1105 00:55:18,995 --> 00:55:21,431 OH, YES, IT WAS. I HOPE YOU'LL BE HANDING IN MORE LIKE IT. 1106 00:55:21,498 --> 00:55:24,067 OH, I WILL. I KNOW JUST WHERE TO GET THEM. 1107 00:55:24,134 --> 00:55:25,768 WELL, MR. GILLIS-- 1108 00:55:25,835 --> 00:55:28,572 I FIND THIS A LITTLE EMBARRASSING TO TALK ABOUT. 1109 00:55:28,639 --> 00:55:30,541 SPEAK UP, SIR. YOU NEEDN'T BE SHY WITH ME. 1110 00:55:30,607 --> 00:55:32,542 OH, THANK YOU. 1111 00:55:32,609 --> 00:55:34,110 DO YOU REMEMBER WHAT YOU SAID, MR. GILLIS, 1112 00:55:34,177 --> 00:55:35,612 ON THE FIRST DAY OF CLASS? 1113 00:55:35,679 --> 00:55:38,815 THAT THE WAY PEOPLE USE THE LANGUAGE WAS THE RIGHT WAY? 1114 00:55:38,882 --> 00:55:41,484 AS I REMEMBER, YOU DIDN'T THINK SO. 1115 00:55:41,551 --> 00:55:42,585 I WAS WRONG. 1116 00:55:42,652 --> 00:55:44,154 I BEG YOUR PARDON? 1117 00:55:44,221 --> 00:55:46,623 HERE, MR. GILLIS, READ THIS. 1118 00:55:46,689 --> 00:55:49,159 READ THAT ALOUD. 1119 00:55:49,225 --> 00:55:53,363 "TO DOBIE GILLIS, THE MAN WHO OPENED MY EYES, 1120 00:55:53,430 --> 00:55:55,465 I DEDICATE THIS EDITION." 1121 00:55:55,532 --> 00:55:56,699 GEE, PROFESSOR! 1122 00:55:56,766 --> 00:55:58,435 I'VE DONE A BRAND-NEW EDITION OF MY BOOK. 1123 00:55:58,501 --> 00:56:00,403 ALL THE OBSOLETE RULES ARE GONE, 1124 00:56:00,470 --> 00:56:03,039 AND I HOPE YOU WON'T MIND THE DEDICATION. 1125 00:56:03,106 --> 00:56:03,907 MIND? 1126 00:56:03,974 --> 00:56:05,976 WHY, IT'S A GREAT HONOR, SIR. 1127 00:56:06,042 --> 00:56:07,577 THANK YOU VERY MUCH. 1128 00:56:07,644 --> 00:56:11,949 THANK YOU, MR. GILLIS. 1129 00:56:17,254 --> 00:56:17,887 LOOK HERE! 1130 00:56:17,954 --> 00:56:18,688 WHAT'S THAT? 1131 00:56:18,755 --> 00:56:20,190 IT'S A BOOK DEDICATED TO ME. 1132 00:56:20,257 --> 00:56:21,258 WHAT BOOK? 1133 00:56:21,324 --> 00:56:23,560 POMFRITT'S BOOK, THE NEW EDITION. 1134 00:56:23,627 --> 00:56:24,761 NEW EDITION? 1135 00:56:24,828 --> 00:56:26,396 POMFRITT HAS A NEW BOOK? 1136 00:56:26,463 --> 00:56:27,598 HE'S GOING TO USE THIS IN HIS CLASS? 1137 00:56:27,664 --> 00:56:29,466 WHAT'S THE MATTER WITH YOU TWO? 1138 00:56:29,533 --> 00:56:33,170 [ALL YELLING AT ONCE] 1139 00:56:36,907 --> 00:56:37,808 NEW EDITION? 1140 00:56:37,874 --> 00:56:39,643 NOW THEY WON'T BE USING THE OLD ONES! 1141 00:56:39,709 --> 00:56:42,345 AND WE'RE STUCK WITH 300 COPIES! 1142 00:56:42,412 --> 00:56:46,250 AND WE'RE OUT 700 BUCKS! 1143 00:56:50,620 --> 00:56:53,456 MY FRIENDS, THE AX HAS FALLEN. 1144 00:56:53,523 --> 00:56:54,725 THEY'VE GIVEN ME EXACTLY TWO WEEKS 1145 00:56:54,791 --> 00:56:56,693 TO GET THIS MAGAZINE ON ITS FEET. 1146 00:56:56,760 --> 00:56:58,428 OTHERWISE, WE'RE THROUGH. 1147 00:56:58,495 --> 00:56:59,729 GEE, HARRY, WE'VE TRIED. 1148 00:56:59,796 --> 00:57:01,664 NOBODY WANTS TO BUY THE MAGAZINE! 1149 00:57:01,731 --> 00:57:05,068 THIS I KNOW, BUT WHY? 1150 00:57:05,135 --> 00:57:07,571 AH, WHO NEEDS IT? 1151 00:57:07,638 --> 00:57:09,906 WELL, I MEAN, EVERYTHING IS SO EXPENSIVE NOWADAYS. 1152 00:57:09,973 --> 00:57:12,409 WELL, NOBODY'S GOT MONEY FOR THINGS THEY DON'T NEED. 1153 00:57:12,475 --> 00:57:13,576 DO THEY NEED DANCES? 1154 00:57:13,643 --> 00:57:14,878 WHAT DO YOU MEAN? 1155 00:57:14,945 --> 00:57:16,947 I MEAN, WHEN BENNY GOODMAN WAS HERE LAST YEAR, 1156 00:57:17,014 --> 00:57:18,949 THEY HAD THE BIGGEST TURNOUT IN THEIR HISTORY. 1157 00:57:19,015 --> 00:57:20,917 AND IF THEY HAVE A DOLLAR FOR BENNY GOODMAN, 1158 00:57:20,984 --> 00:57:23,553 WHY HAVEN'T THEY GOT A DOLLAR FOR THIS MAGAZINE? 1159 00:57:23,620 --> 00:57:24,587 THAT'S IT. THAT'S IT! 1160 00:57:24,654 --> 00:57:25,321 WE'LL HOLD A DANCE! 1161 00:57:25,388 --> 00:57:26,155 WHAT? 1162 00:57:26,222 --> 00:57:27,624 DON'T YOU SEE? 1163 00:57:27,691 --> 00:57:29,559 THAT'S HOW WE'LL SELL SUBSCRIPTIONS TO THE MAGAZINE. 1164 00:57:29,625 --> 00:57:30,793 EASY NOW, PAL. 1165 00:57:30,860 --> 00:57:32,362 LOOK, WE'LL HIRE A BIG-NAME BAND-- 1166 00:57:32,429 --> 00:57:34,564 BENNY GOODMAN, TOMMY DORSEY-- SOMEONE LIKE THAT. 1167 00:57:34,630 --> 00:57:37,267 AND INSTEAD OF CHARGING A DOLLAR FOR A TICKET LIKE THEY ALWAYS DO, 1168 00:57:37,334 --> 00:57:38,768 WE'LL CHARGE TWO. 1169 00:57:38,835 --> 00:57:40,904 AHA! AND THE EXTRA DOLLAR 1170 00:57:40,971 --> 00:57:42,872 WILL BE FOR A SUBSCRIPTION TO THE MAGAZINE. 1171 00:57:42,939 --> 00:57:43,473 RIGHT! 1172 00:57:43,539 --> 00:57:44,674 A PACKAGE DEAL! 1173 00:57:44,741 --> 00:57:46,009 THERE'S A SMASHING IDEA! 1174 00:57:46,076 --> 00:57:49,779 NOT BAD, NOT BAD. NOT BAD AT ALL! 1175 00:57:49,846 --> 00:57:51,247 THERE'S ONLY ONE THING WRONG. 1176 00:57:51,314 --> 00:57:52,149 WHAT'S THAT? 1177 00:57:52,215 --> 00:57:53,550 WE HAVE EXACTLY $1,000 1178 00:57:53,617 --> 00:57:54,984 IN THE MAGAZINE'S TREASURY, 1179 00:57:55,051 --> 00:57:56,620 AND THAT'S NOT ENOUGH TO PAY OUR DEBTS. 1180 00:57:56,687 --> 00:57:59,155 HOW COULD IT BE ENOUGH TO HIRE A BIG-NAME BAND? 1181 00:57:59,222 --> 00:58:00,691 WELL, WE CAN TRY. 1182 00:58:00,757 --> 00:58:02,158 ALL RIGHT. 1183 00:58:02,225 --> 00:58:04,327 I'LL WRITE A LETTER TO A BOOKING OFFICE IN NEW YORK 1184 00:58:04,394 --> 00:58:05,962 AND SEE WHAT THEY HAVE TO SAY. 1185 00:58:06,029 --> 00:58:08,264 NO, NO, NO. DON'T SEND A LETTER. THEY'LL TURN YOU DOWN. 1186 00:58:08,331 --> 00:58:12,135 WHAT YOU NEED IS SOMEONE TO GO TO NEW YORK IN PERSON-- 1187 00:58:12,201 --> 00:58:17,173 SOME YOUNG, CLEAN-CUT, APPEALING, CHARMING, PERSUASIVE FELLOW. 1188 00:58:17,240 --> 00:58:18,908 ME, FOR INSTANCE. 1189 00:58:18,975 --> 00:58:21,477 I DON'T LIKE TO BRAG, BUT YOU'D HAVE TO GO A LONG WAY TO FIND SOMEONE 1190 00:58:21,544 --> 00:58:25,148 AS YOUNG, CLEAN-CUT, APPEALING, CHARMING, PERSUASIVE AS ME. 1191 00:58:25,215 --> 00:58:26,149 HE'S RIGHT. 1192 00:58:26,216 --> 00:58:28,418 WHY, HE CAN CHARM A BIRD OFF A BUSH. 1193 00:58:28,485 --> 00:58:31,388 THAT'S A FACT. I'VE SEEN HIM MAKE STRONG MEN WEEP. 1194 00:58:31,455 --> 00:58:33,056 GREAT LITTLE TALKER, OUR DOBIE. 1195 00:58:33,122 --> 00:58:34,658 THE GREATEST. 1196 00:58:34,725 --> 00:58:36,659 IT'S ALL TRUE WHAT THEY SAY. 1197 00:58:36,726 --> 00:58:39,229 WELL... 1198 00:58:40,396 --> 00:58:41,865 ALL RIGHT. 1199 00:58:41,932 --> 00:58:43,433 YOU'VE MADE A WISE DECISION. 1200 00:58:43,499 --> 00:58:44,634 GOOD BOY. 1201 00:58:44,701 --> 00:58:47,838 I'LL GET THE MONEY. 1202 00:58:49,106 --> 00:58:49,939 GOOD LAD! 1203 00:58:50,006 --> 00:58:51,340 THAT'S USING THE OLD NOGGIN. 1204 00:58:51,407 --> 00:58:53,776 GEE, I NEVER THOUGHT I'D GET TO SEE PANSY AGAIN. 1205 00:58:53,843 --> 00:58:55,378 I WANT TO THANK YOU KIDS AN AWFUL LOT. 1206 00:58:55,445 --> 00:58:56,846 AW, FORGET IT, KID. 1207 00:58:56,913 --> 00:58:59,415 WE KNOW WHAT IT IS TO BE IN LOVE. HUH, CHARLIE? 1208 00:58:59,482 --> 00:59:00,884 HERE IT IS. 1209 00:59:00,951 --> 00:59:04,754 YOUR EXPENSES HAVE TO COME OUT OF THAT $1,000, 1210 00:59:04,820 --> 00:59:06,389 SO DON'T WASTE A PENNY! 1211 00:59:06,456 --> 00:59:07,456 YES, SIR. 1212 00:59:07,523 --> 00:59:08,458 DON'T EAT TOO MUCH. 1213 00:59:08,525 --> 00:59:09,559 YES, SIR. 1214 00:59:09,626 --> 00:59:11,127 AND STAY AT THE "Y." 1215 00:59:11,194 --> 00:59:11,795 YES, SIR. 1216 00:59:11,862 --> 00:59:12,628 GOOD-BYE, DOBIE. 1217 00:59:12,695 --> 00:59:13,396 SO LONG. 1218 00:59:13,463 --> 00:59:14,597 HAVE FUN. 1219 00:59:14,664 --> 00:59:16,199 AND TRAVEL BY BUS! 1220 00:59:16,265 --> 00:59:18,268 Dobie: YES, SIR! 1221 00:59:32,949 --> 00:59:34,717 HELLO. MAY I SPEAK TO MISS PANSY HAMMER? 1222 00:59:34,784 --> 00:59:35,952 WHO IS THIS? 1223 00:59:36,019 --> 00:59:37,187 THIS IS MR. JOHNSON, 1224 00:59:37,254 --> 00:59:39,189 THE DEAN AT MISS HAMMER'S COLLEGE. 1225 00:59:39,256 --> 00:59:41,558 YOU SOUND VERY YOUNG TO BE A DEAN. 1226 00:59:41,624 --> 00:59:42,926 YES, DON'T I? 1227 00:59:42,992 --> 00:59:45,195 IN MANY QUARTERS, I'M KNOWN AS THE BOY DEAN. 1228 00:59:45,262 --> 00:59:47,897 BUT ENOUGH OF THIS CHITCHAT. I'M A VERY BUSY DEAN. 1229 00:59:47,964 --> 00:59:50,233 PLEASE PUT MISS HAMMER ON. 1230 00:59:50,300 --> 00:59:53,804 IT'S FOR YOU, PANSY--DEAN JOHNSON. 1231 00:59:55,505 --> 00:59:56,606 HELLO? 1232 00:59:56,672 --> 00:59:59,208 HELLO, PANSY? IT'S ME. I'M IN NEW YORK! 1233 00:59:59,275 --> 01:00:03,346 OH, WHY, YES, DEAN. WHERE DO YOU WANT TO SEE ME, DEAN? 1234 01:00:03,413 --> 01:00:04,514 SMART GIRL. 1235 01:00:04,581 --> 01:00:06,616 CAN YOU MEET ME IN AN HOUR-- LA GUARDIA FIELD? 1236 01:00:06,683 --> 01:00:09,953 I'LL BE THERE, DEAN. GOOD-BYE, DEAN. 1237 01:00:10,019 --> 01:00:13,890 GOOD-BYE, YOU TIGER. 1238 01:00:18,561 --> 01:00:19,629 DOBIE! 1239 01:00:19,696 --> 01:00:21,364 PANSY! 1240 01:00:21,430 --> 01:00:22,466 HI! 1241 01:00:23,566 --> 01:00:24,467 IT'S SO GOOD TO SEE YOU! 1242 01:00:24,534 --> 01:00:25,702 PANSY DEAR, HOW ARE YOU? 1243 01:00:25,769 --> 01:00:26,603 FINE. 1244 01:00:26,670 --> 01:00:29,438 LOOK--A CORSAGE. 1245 01:00:29,505 --> 01:00:31,640 OH, THEY'RE LOVELY, 1246 01:00:31,707 --> 01:00:34,377 BUT ISN'T IT A LITTLE BIG? 1247 01:00:34,444 --> 01:00:36,546 I'LL FIX THAT. 1248 01:00:36,612 --> 01:00:38,247 OH! 1249 01:00:38,314 --> 01:00:40,417 PANSY, IT'S BEEN AWFUL WITHOUT YOU. 1250 01:00:40,484 --> 01:00:42,052 SAME HERE. 1251 01:00:42,119 --> 01:00:43,887 THERE'S NO CHANCE YOUR FATHER WILL CHANGE HIS MIND? 1252 01:00:43,953 --> 01:00:45,855 UH-UH, NO CHANCE. 1253 01:00:45,922 --> 01:00:47,724 OH, WELL, ENOUGH OF THIS GLOOM. 1254 01:00:47,791 --> 01:00:48,858 AT LEAST WE HAVE TONIGHT! 1255 01:00:48,925 --> 01:00:50,627 COME, LET US TASTE ALL THE JOYS 1256 01:00:50,693 --> 01:00:52,362 THIS GREAT CITY HAS TO OFFER US! 1257 01:00:52,429 --> 01:00:53,629 HI HO! 1258 01:00:53,696 --> 01:00:56,199 VIVE L'AMOUR! 1259 01:00:56,266 --> 01:00:58,368 [ORCHESTRAL SOUNDTRACK MUSIC PLAYING] 1260 01:02:11,775 --> 01:02:15,378 1, 2, 3, 4, 5... 1261 01:02:15,445 --> 01:02:17,480 $600? 1262 01:02:27,423 --> 01:02:28,692 Man: THE CONTRACTS? 1263 01:02:28,758 --> 01:02:30,593 YEAH, I THINK I GOT THEM IN A FILE HERE SOMEPLACE. 1264 01:02:30,660 --> 01:02:32,828 I'LL HAVE MY SECRETARY DIG THEM OUT OF THE FILE 1265 01:02:32,895 --> 01:02:34,030 RIGHT THIS MINUTE. 1266 01:02:34,097 --> 01:02:35,998 YEAH, UH-HUH. OK. GOOD-BYE. 1267 01:02:36,065 --> 01:02:37,967 HOW DO YOU DO, SIR? I'M DOBIE GILLIS 1268 01:02:38,034 --> 01:02:40,369 FROM THE GRAINBELT UNIVERSITY LITERARY QUARTERLY. 1269 01:02:40,436 --> 01:02:42,905 I'D LIKE TO BOOK A BAND FOR A DANCE WE'RE HAVING-- 1270 01:02:42,972 --> 01:02:45,074 SOMEONE LIKE BENNY GOODMAN OR TOMMY DORSEY. 1271 01:02:45,140 --> 01:02:46,008 HOW MUCH LOOT YOU GOT? 1272 01:02:46,075 --> 01:02:47,510 I BEG YOUR PARDON? 1273 01:02:47,576 --> 01:02:48,277 THE MONEY--HOW MUCH? 1274 01:02:48,344 --> 01:02:49,746 BEFORE WE TALK ABOUT MONEY, 1275 01:02:49,813 --> 01:02:51,914 I'D LIKE TO TELL YOU A LITTLE ABOUT THE QUARTERLY. 1276 01:02:51,981 --> 01:02:54,483 IT'S ONE OF THE FINEST TRADITIONS WE HAVE AT GRAINBELT UNIVERSITY. 1277 01:02:54,550 --> 01:02:56,953 YES, INDEED, SIR, WE ALL LOVE THE OLD QUARTERLY. 1278 01:02:57,020 --> 01:02:59,388 LOOK, KID, COME ON ALREADY. HOW MUCH LOOT? 1279 01:02:59,455 --> 01:03:00,257 $600. 1280 01:03:00,323 --> 01:03:00,857 GOOD-BYE, KID. 1281 01:03:00,923 --> 01:03:02,559 HARRY JAMES WILL DO. 1282 01:03:02,625 --> 01:03:03,660 KID, YOU'RE NOT WELL. 1283 01:03:03,727 --> 01:03:04,995 PERHAPS YOU COULD SUGGEST SOMEONE. 1284 01:03:05,061 --> 01:03:07,863 NOBODY'S GOING TO GO WAY OUT THERE FOR $600. 1285 01:03:07,930 --> 01:03:09,332 AHEM! AHEM! 1286 01:03:09,398 --> 01:03:11,334 KID, YOU'RE IN LUCK. I WANT YOU TO MEET 1287 01:03:11,400 --> 01:03:13,336 HAPPY STELLA KOWALSKI AND HER SCHOTTICHE FIVE. 1288 01:03:13,403 --> 01:03:17,407 THEY JUST HAPPEN TO BE BETWEEN JOBS AT THE MOMENT. 1289 01:03:17,474 --> 01:03:19,742 I'M PLEASED TO MAKE YOUR ACQUAINTANCE, SIR. 1290 01:03:19,809 --> 01:03:20,810 YOU ARE A BAND? 1291 01:03:20,877 --> 01:03:22,178 THE BEST! ASK AL. 1292 01:03:22,244 --> 01:03:24,047 THE BEST! THEY PLAY MORE LITHUANIAN WEDDINGS 1293 01:03:24,114 --> 01:03:25,949 THAN ANY OTHER BAND ON THE ENTIRE EAST COAST. 1294 01:03:26,015 --> 01:03:26,683 WE ARE A RIOT! 1295 01:03:26,750 --> 01:03:27,484 THEY'RE A RIOT! 1296 01:03:27,550 --> 01:03:27,984 WE WEAR FUNNY HATS. 1297 01:03:28,051 --> 01:03:29,085 FUNNY HATS! 1298 01:03:29,152 --> 01:03:29,152 WE BLACK OUT OUR TEETH. 1299 01:03:29,152 --> 01:03:30,353 TEETH... 1300 01:03:30,420 --> 01:03:30,420 WE PLAY ALL KINDS OF CRAZY THINGS. 1301 01:03:30,420 --> 01:03:32,188 CRAZY! 1302 01:03:32,255 --> 01:03:33,189 WE FRACTURE THE PEOPLE. 1303 01:03:33,256 --> 01:03:34,557 FRACTURE THE PEOPLE! 1304 01:03:34,624 --> 01:03:36,793 YOU MUSTN'T THINK ME TOO UNKIND, HAPPY STELLA, 1305 01:03:36,860 --> 01:03:38,260 BUT I'VE NEVER HEARD OF YOU. 1306 01:03:38,327 --> 01:03:40,096 KID, WHERE HAVE YOU BEEN? 1307 01:03:40,163 --> 01:03:41,530 THIS IS THE HOTTEST COMBINATION 1308 01:03:41,597 --> 01:03:43,233 IN NEW YORK! 1309 01:03:43,299 --> 01:03:44,567 YOU'LL COME FOR $600? 1310 01:03:44,634 --> 01:03:46,869 ORDINARILY, NO, BUT FOR YOU, YES. 1311 01:03:46,936 --> 01:03:50,372 HERE YOU ARE. SIGN RIGHT THERE, KID. 1312 01:03:50,439 --> 01:03:52,308 I WANT YOU SHOULD MEET THE GIRLS. 1313 01:03:52,375 --> 01:03:56,846 ROTKA, SLETKA, DOBRA, SIMKA, MAJESKA. 1314 01:03:56,913 --> 01:03:59,582 CRAZY, HUH? 1315 01:03:59,649 --> 01:04:02,184 HELLO? THIS IS MR. JOHNSON, THE BOY DEAN. 1316 01:04:02,251 --> 01:04:03,753 I WANT TO TALK TO MISS HAMMER. 1317 01:04:03,820 --> 01:04:05,121 I HAVE CALLED PANSY'S COLLEGE. 1318 01:04:05,188 --> 01:04:07,557 THERE IS NO MR. JOHNSON ON THE FACULTY. 1319 01:04:07,624 --> 01:04:09,158 YOU ARE DOBIE GILLIS, 1320 01:04:09,225 --> 01:04:11,160 AND IF YOU TRY TO COMMUNICATE WITH PANSY AGAIN, 1321 01:04:11,227 --> 01:04:12,628 I WILL CALL THE POLICE. 1322 01:04:12,695 --> 01:04:14,930 PLEASE, AUNT NAOMI, JUST LET ME SAY GOOD-BYE TO HIM. 1323 01:04:14,997 --> 01:04:16,132 PLEASE? 1324 01:04:16,199 --> 01:04:18,000 ALL RIGHT, BUT THIS IS THE LAST TIME. 1325 01:04:18,067 --> 01:04:18,801 YOU UNDERSTAND? 1326 01:04:18,867 --> 01:04:20,236 YES. 1327 01:04:20,303 --> 01:04:22,038 HOW ARE YOU, DOBIE DEAR? 1328 01:04:22,105 --> 01:04:23,339 Dobie: FINE. 1329 01:04:23,406 --> 01:04:25,107 DID YOU GET BENNY GOODMAN FOR YOUR DANCE? 1330 01:04:25,174 --> 01:04:27,276 NO, BUT I GOT SOMEONE JUST AS GOOD-- 1331 01:04:27,343 --> 01:04:29,445 HAPPY STELLA KOWALSKI AND HER SCHOTTICHE FIVE. 1332 01:04:29,511 --> 01:04:30,746 WHO? 1333 01:04:30,813 --> 01:04:33,616 A SENSATIONAL ALL-GIRL BAND--THEY FRACTURE THE PEOPLE! 1334 01:04:33,683 --> 01:04:36,819 THAT'S NICE, DEAR. WHEN ARE YOU LEAVING? 1335 01:04:36,886 --> 01:04:38,621 RIGHT AWAY. 1336 01:04:38,688 --> 01:04:42,392 OH, GEE, HOW I WISH I WERE GOING WITH YOU. 1337 01:04:42,459 --> 01:04:46,296 I MISS YOU SO MUCH, DOBIE-- SO VERY MUCH. 1338 01:04:47,330 --> 01:04:49,665 AND I MISS YOU, PANSY. 1339 01:04:49,732 --> 01:04:52,067 WHEN DO YOU THINK YOU'LL GET BACK TO NEW YORK? 1340 01:04:52,134 --> 01:04:54,437 WELL, NOT IN THE FORESEEABLE FUTURE. 1341 01:04:54,504 --> 01:04:57,807 OH, DOBIE. WELL, WHEN ARE YOU FLYING OUT? 1342 01:04:57,874 --> 01:05:00,676 RIGHT AWAY. 1343 01:05:00,743 --> 01:05:03,013 GOOD-BYE, PANSY...DEAR. 1344 01:05:15,625 --> 01:05:16,992 BUT I'LL PAY BACK THE MONEY I SPENT. 1345 01:05:17,059 --> 01:05:19,028 HONEST, I WILL. I'LL RAISE IT SOMEHOW. 1346 01:05:19,094 --> 01:05:21,464 I KNOW YOU WILL. THAT'S NOT THE POINT. 1347 01:05:21,531 --> 01:05:23,633 WHAT'LL HAPPEN TO THE MAGAZINE NOW? 1348 01:05:23,699 --> 01:05:25,168 HOW ARE WE GOING TO GET ANYONE TO BUY TICKETS 1349 01:05:25,234 --> 01:05:26,703 FOR THIS ST-ST-UM... 1350 01:05:26,769 --> 01:05:28,070 HAPPY STELLA KOWALSKI. 1351 01:05:28,137 --> 01:05:29,438 WHO'LL BUY TICKETS FOR HER? 1352 01:05:29,505 --> 01:05:31,340 I'LL SELL THEM. I'LL WORK DAY AND NIGHT! 1353 01:05:31,407 --> 01:05:34,611 I'LL SELL THEM. YOU WATCH! 1354 01:05:37,547 --> 01:05:38,915 HOW WOULD YOU LIKE TO BUY A TICKET 1355 01:05:38,981 --> 01:05:41,550 TO HEAR HAPPY STELLA KOWALSKI AND HER SCHOTTICHE FIVE? 1356 01:05:41,617 --> 01:05:42,651 HAPPY STELLA WHO? 1357 01:05:42,718 --> 01:05:47,624 HAPPY STELLA KOWALSKI-- SENSATIONAL NEW BAND. 1358 01:05:50,259 --> 01:05:52,495 HOW ABOUT A TICKET TO HEAR HAPPY STELLA KOWALSKI? 1359 01:05:52,562 --> 01:05:53,529 HAPPY STELLA WHO? 1360 01:05:53,596 --> 01:05:54,564 KOWALSKI! 1361 01:05:54,630 --> 01:05:56,633 NO. 1362 01:05:57,634 --> 01:06:00,336 HEY, KIDS! 1363 01:06:04,006 --> 01:06:05,207 WELL? 1364 01:06:05,274 --> 01:06:07,710 I'M SORRY. I'M JUST A NO-GOOD RAT. 1365 01:06:07,776 --> 01:06:08,211 YOU TRIED, DOBIE. 1366 01:06:08,277 --> 01:06:09,612 SURE YOU DID. 1367 01:06:09,679 --> 01:06:12,481 I NEVER SAW ANYONE TRY AS HARD AS YOU'VE TRIED. 1368 01:06:12,548 --> 01:06:14,317 I'M A SKUNK. THAT'S ALL-- JUST A SKUNK. 1369 01:06:14,383 --> 01:06:15,985 NO, YOU'RE NOT. YOU'RE VERY SWEET. 1370 01:06:16,052 --> 01:06:17,086 YOU'RE A LIVING DOLL. 1371 01:06:17,153 --> 01:06:18,087 DON'T FEEL BAD. 1372 01:06:18,154 --> 01:06:18,954 THEY WERE GOING TO CLOSE 1373 01:06:19,021 --> 01:06:20,355 THE MAGAZINE ANYHOW. 1374 01:06:20,422 --> 01:06:21,290 IT'S ALL MY FAULT. 1375 01:06:21,356 --> 01:06:22,792 COME ON, PAL, CHIN UP! 1376 01:06:22,858 --> 01:06:25,194 MAYBE THERE'LL BE A LAST-MINUTE RUSH OR SOMETHING. 1377 01:06:25,261 --> 01:06:26,529 IT'S POSSIBLE. 1378 01:06:26,595 --> 01:06:28,431 HA! 1379 01:06:28,498 --> 01:06:29,299 WHERE IS HE? 1380 01:06:29,365 --> 01:06:30,666 YOU! WHAT HAVE YOU DONE WITH HER? 1381 01:06:30,733 --> 01:06:31,700 DONE WITH WHOM? 1382 01:06:31,767 --> 01:06:34,570 YOU KNOW VERY WELL WHOM! WHERE'S PANSY? 1383 01:06:34,637 --> 01:06:36,139 I KNOW YOU SAW HER IN NEW YORK. 1384 01:06:36,205 --> 01:06:37,040 NOW, WHAT HAVE YOU DONE WITH HER? 1385 01:06:37,106 --> 01:06:38,474 ISN'T SHE IN NEW YORK? 1386 01:06:38,541 --> 01:06:40,876 GILLIS, I'LL STRANGLE YOU! 1387 01:06:40,943 --> 01:06:42,078 WHAT'S WRONG?! 1388 01:06:42,145 --> 01:06:44,080 PANSY'S DISAPPEARED. THAT'S WHAT'S WRONG! 1389 01:06:44,147 --> 01:06:45,247 AND GILLIS ENGINEERED THE WHOLE THING! 1390 01:06:45,314 --> 01:06:46,316 HE'S GOT HER HIDDEN SOMEPLACE! 1391 01:06:46,382 --> 01:06:48,017 I'M CALLING THE POLICE! 1392 01:06:48,083 --> 01:06:50,186 DOBIE, TELL THE TRUTH. DO YOU KNOW ANYTHING ABOUT THIS? 1393 01:06:50,253 --> 01:06:51,287 SO HELP ME, NOT A THING! 1394 01:06:51,354 --> 01:06:52,955 YOU'RE LYING, YOU KIDNAPPER! 1395 01:06:53,022 --> 01:06:54,757 I'M CALLING THE POLICE! 1396 01:06:54,824 --> 01:06:56,358 BE REASONABLE, WILL YOU, MR. HAMMER? 1397 01:06:56,425 --> 01:06:58,260 DOBIE'S BEEN BACK FOR MORE THAN A WEEK. 1398 01:06:58,327 --> 01:06:59,562 HOW COULD HE HAVE KIDNAPPED PANSY? 1399 01:06:59,629 --> 01:07:01,964 HE'S GOT ACCOMPLICES! THAT'S HOW! 1400 01:07:02,031 --> 01:07:05,067 I KNEW IT THE MINUTE I LAID EYES ON HIM. HE'S A FIEND! 1401 01:07:05,134 --> 01:07:08,337 SAY, LOOK AT THIS. SAY, LOOK AT THIS! 1402 01:07:08,404 --> 01:07:10,706 SAY, IT'S A REAL CUTE PLACE YOU GOT HERE, HUH? 1403 01:07:10,773 --> 01:07:12,141 Dobie: PANSY! PANSY! 1404 01:07:12,208 --> 01:07:14,544 OH, DOBIE, WELL, I JUST HAD TO COME BACK. 1405 01:07:14,611 --> 01:07:16,512 AHA! CAUGHT YOU RED-HANDED! 1406 01:07:16,578 --> 01:07:19,648 POLICE, SEND THE PATROL WAGON! SEND THE RIOT SQUAD! 1407 01:07:19,715 --> 01:07:21,784 SEND EVERYTHING YOU'VE GOT! AND HURRY! 1408 01:07:21,851 --> 01:07:23,886 WHAT'S WITH YOU? 1409 01:07:23,952 --> 01:07:26,522 YOU'LL FIND OUT WHAT'S WITH WHO WHEN YOU'RE BEHIND BARS! 1410 01:07:26,588 --> 01:07:29,892 OH! YOU MUST BE PANSY'S OLD MAN. 1411 01:07:29,959 --> 01:07:32,395 SHAME ON YOU! SHAME ON YOU! 1412 01:07:32,461 --> 01:07:34,396 ASSAULT AND BATTERY! KIDNAPPING! 1413 01:07:34,463 --> 01:07:35,865 THERE WAS NO KIDNAPPING! 1414 01:07:35,932 --> 01:07:38,033 I FOUND HAPPY STELLA AND ASKED HER TO TAKE ME ALONG. 1415 01:07:38,100 --> 01:07:41,036 I WAS AFRAID AUNT NAOMI WOULD CATCH ME IF I TRIED RUNNING AWAY ALONE. 1416 01:07:41,103 --> 01:07:43,973 DON'T SAY ANYTHING, PANSY. THEY'VE PROBABLY GOT YOU DRUGGED. 1417 01:07:44,040 --> 01:07:46,976 OH, I AM NOT DRUGGED! I HAVE NEVER THOUGHT SO CLEARLY IN MY LIFE! 1418 01:07:47,042 --> 01:07:49,812 DADDY, I LOVE DOBIE, AND I'M GOING TO STAY WITH HIM. 1419 01:07:49,879 --> 01:07:52,014 IF YOU SEND ME BACK TO NEW YORK, I'LL JUST RUN AWAY AGAIN. 1420 01:07:52,081 --> 01:07:53,248 I DON'T CARE WHERE YOU SEND ME, 1421 01:07:53,315 --> 01:07:55,051 I'M NOT GOING TO BE SEPARATED FROM DOBIE! 1422 01:07:55,117 --> 01:07:56,485 NOW, JUST A MINUTE! 1423 01:07:56,552 --> 01:07:57,953 WHAT'S THE MATTER WITH YOU? 1424 01:07:58,020 --> 01:08:00,690 CAN'T YOU TELL THESE TWO KIDS WANT TO BE TOGETHER? 1425 01:08:00,756 --> 01:08:03,192 SO WHAT IF DOBIE IS A LITTLE NUTSY? WHO AIN'T? 1426 01:08:03,259 --> 01:08:04,560 THAT'S RIGHT. WHO AIN'T? 1427 01:08:04,627 --> 01:08:05,594 HELLO, DEAR. 1428 01:08:05,661 --> 01:08:08,030 HOW DO YOU DO? I'M PANSY'S MOTHER. 1429 01:08:08,097 --> 01:08:10,233 YOU ARE MARRIED TO HIM? 1430 01:08:10,299 --> 01:08:11,701 THAT'S RIGHT. 1431 01:08:11,768 --> 01:08:12,935 HOW COME? 1432 01:08:13,002 --> 01:08:14,170 JUST LUCKY, I GUESS. 1433 01:08:14,237 --> 01:08:15,404 YEAH, BUT HE'S-- 1434 01:08:15,471 --> 01:08:17,139 HE'S A VERY REASONABLE MAN. 1435 01:08:17,206 --> 01:08:18,708 HE KNOWS A FACT WHEN HE SEES ONE. 1436 01:08:18,775 --> 01:08:20,109 FACT? WHAT FACT? 1437 01:08:20,175 --> 01:08:21,443 THE FACT THAT THESE TWO KIDS, 1438 01:08:21,510 --> 01:08:23,778 FOR BETTER OR FOR WORSE, ARE IN LOVE! 1439 01:08:23,846 --> 01:08:25,247 SHORT OF LOCKING PANSY IN THE BASEMENT, 1440 01:08:25,313 --> 01:08:26,548 THERE'S NOTHING YOU CAN DO ABOUT IT! 1441 01:08:26,616 --> 01:08:27,950 NOW, WHAT'S IT GOING TO BE, GEORGE? 1442 01:08:28,017 --> 01:08:29,084 DO THEY GET YOUR BLESSING, 1443 01:08:29,151 --> 01:08:31,120 OR DO I BUY A LOCK FOR THE BASEMENT? 1444 01:08:31,187 --> 01:08:32,922 ALL RIGHT! ALL RIGHT! 1445 01:08:32,989 --> 01:08:34,757 BUT YOU KEEP HIM OUT OF MY HOUSE, YOU HEAR? 1446 01:08:34,824 --> 01:08:37,726 JUST KEEP HIM AWAY FROM ME, THAT'S ALL. 1447 01:08:37,793 --> 01:08:39,262 [SIREN] 1448 01:08:41,730 --> 01:08:46,602 THE POLICE! I CALLED THE POLICE! 1449 01:08:46,669 --> 01:08:49,405 [SIRENS] 1450 01:08:59,315 --> 01:09:00,516 ALL RIGHT, MEN, CHECK YOUR WEAPONS! 1451 01:09:00,583 --> 01:09:01,250 QUINN, YOU AND YOUR MEN AROUND BACK. 1452 01:09:01,317 --> 01:09:02,685 YES, SIR. 1453 01:09:02,751 --> 01:09:04,186 MORIARTY, YOU AND YOUR MEN TAKE THE SIDE DOOR. 1454 01:09:04,253 --> 01:09:05,020 RIGHT, CAPTAIN. 1455 01:09:05,086 --> 01:09:07,622 YOU MEN COME WITH ME! 1456 01:09:07,690 --> 01:09:08,957 Man: WHAT'S ALL THIS? WHAT'S ALL THE NOISE? 1457 01:09:09,023 --> 01:09:11,326 COME ON! 1458 01:09:11,394 --> 01:09:12,795 Woman: WHAT'S ALL THE EXCITEMENT? 1459 01:09:12,862 --> 01:09:14,229 I DON'T KNOW, BUT I'M GOING TO FIND OUT. 1460 01:09:14,295 --> 01:09:16,031 ME, TOO! 1461 01:09:16,099 --> 01:09:17,733 HOLY MACKEREL! LOOK! 1462 01:09:17,800 --> 01:09:21,137 LOOK AT ALL THE MOB OF KIDS COMING DOWN! 1463 01:09:21,204 --> 01:09:22,071 [SHOUTING] 1464 01:09:22,138 --> 01:09:23,305 THIS IS IT! THIS IS IT! 1465 01:09:23,371 --> 01:09:24,973 THIS IS HOW WE SAVE THE MAGAZINE. 1466 01:09:25,041 --> 01:09:28,010 LOCK THE DOOR AND DON'T LET ANYONE IN UNLESS THEY PAY TWO BUCKS! 1467 01:09:28,077 --> 01:09:28,077 YEAH! 1468 01:09:28,077 --> 01:09:31,980 GREAT! 1469 01:09:32,047 --> 01:09:33,449 POLICE! 1470 01:09:33,514 --> 01:09:35,149 LINE THEM UP AGAINST THE WALL! 1471 01:09:35,217 --> 01:09:36,452 ALL RIGHT, $2.00! 1472 01:09:36,519 --> 01:09:38,021 [CROWD SHOUTING] 1473 01:09:39,088 --> 01:09:40,623 TWO BUCKS! TWO BUCKS! 1474 01:09:40,690 --> 01:09:40,690 TWO BUCKS! 1475 01:09:40,690 --> 01:09:45,662 TWO BUCKS! TWO BUCKS! 1476 01:09:50,767 --> 01:09:54,070 FOLLOW ME! 1477 01:09:54,137 --> 01:09:55,037 TWO BUCKS! 1478 01:09:55,103 --> 01:09:58,608 TWO DOLLARS! TWO DOLLARS! 1479 01:10:00,910 --> 01:10:03,412 ALL RIGHT, WISE GUY, WHAT'S THE BIG IDEA? 1480 01:10:03,479 --> 01:10:05,815 IT WAS ALL A MISTAKE, CAPTAIN. 1481 01:10:05,882 --> 01:10:06,615 A MISTAKE? 1482 01:10:06,682 --> 01:10:08,283 BUT AS LONG AS YOU'RE HERE, 1483 01:10:08,350 --> 01:10:12,121 MR. HAMMER WOULD LIKE TO BUY 100 TICKETS TO THE POLICEMEN'S BALL. 1484 01:10:12,187 --> 01:10:13,689 WOULDN'T YOU, DEAR? 1485 01:10:13,755 --> 01:10:14,590 HEY, WHERE'S ALL THE EXCITEMENT? 1486 01:10:14,657 --> 01:10:15,658 YEAH, HOW ABOUT IT? 1487 01:10:15,724 --> 01:10:16,726 YEAH, YOU PROMISED US EXCITEMENT. 1488 01:10:16,792 --> 01:10:18,894 EXCITEMENT? YOU WANT EXCITEMENT? 1489 01:10:18,961 --> 01:10:22,131 HERE, CHARLIE. 1490 01:10:22,198 --> 01:10:24,033 YES, WE PROMISED YOU EXCITEMENT, AND HERE THEY ARE, 1491 01:10:24,100 --> 01:10:26,602 THE MOST EXCITING BAND IN THE WHOLE COUNTRY, 1492 01:10:26,669 --> 01:10:29,371 HAPPY STELLA KOWALSKI AND HER SCHOTTICHE FIVE! 1493 01:10:29,438 --> 01:10:33,643 ONE, TWO, GO TEAM! 1494 01:10:52,862 --> 01:10:56,799 ♪ BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS ♪ 1495 01:10:56,866 --> 01:10:58,034 [BOOM] 1496 01:10:58,100 --> 01:11:01,604 ♪ WHICH I GAZE ON SO FONDLY TODAY ♪ 1497 01:11:01,670 --> 01:11:04,440 ♪ WERE TO CHANGE BY TOMORROW ♪ 1498 01:11:04,506 --> 01:11:06,642 ♪ AND FLEE FROM MY ARMS ♪ 1499 01:11:06,709 --> 01:11:10,613 ♪ LIKE SOME FAIRY GIFTS FADING AWAY ♪ 1500 01:11:10,680 --> 01:11:14,617 ♪ THOU WOULDST STILL BE ADORED AS THIS MOMENT THOU ART ♪ 1501 01:11:14,684 --> 01:11:17,786 ♪ LET THY LOVELINESS FADE AS IT WILL ♪ 1502 01:11:17,853 --> 01:11:18,720 AND IT WILL! 1503 01:11:18,787 --> 01:11:20,589 ♪ AND AROUND THE DEAR RUIN ♪ 1504 01:11:20,656 --> 01:11:22,758 ♪ EACH WISH OF MY HEART ♪ 1505 01:11:22,824 --> 01:11:27,897 ♪ WOULD ENTWINE ITSELF VERDANTLY STILL ♪ 1506 01:11:32,167 --> 01:11:33,669 Women: ♪ LEARN, LEARN, LEARN, AND WORK, WORK, WORK ♪ 1507 01:11:33,736 --> 01:11:34,770 ♪ IS ALL WE DO ♪ 1508 01:11:34,837 --> 01:11:36,438 Men: ♪ THE WHOLE DAY THROUGH ♪ 1509 01:11:36,505 --> 01:11:39,742 Women: ♪ NEVER SHIRK AWAY FROM WORK YOU HAVE TO DO ♪ 1510 01:11:39,809 --> 01:11:40,676 Men: ♪ FOR GRAINBELT U ♪ 1511 01:11:40,743 --> 01:11:41,743 ♪ IN CHEMISTRY ♪ 1512 01:11:41,810 --> 01:11:43,078 ♪ IN ENGLISH, TOO ♪ 1513 01:11:43,145 --> 01:11:45,014 ♪ WE WORK AND SLAVE FOR GRAINBELT U ♪ 1514 01:11:45,080 --> 01:11:49,685 ♪ UNLESS THERE'S SOMETHING BETTER TO DO ♪ 1515 01:11:49,752 --> 01:11:51,120 Men: ♪ LEARN, LEARN, LEARN, AND WORK, WORK, WORK ♪ 1516 01:11:51,186 --> 01:11:52,221 ♪ AT EVERY CHANCE ♪ 1517 01:11:52,288 --> 01:11:53,889 Women: ♪ COME ON, LET'S DANCE ♪ 1518 01:11:53,956 --> 01:11:56,959 Men: ♪ FORWARD, ONWARD, UPWARD, SKYWARD, LET'S ADVANCE! ♪ 1519 01:11:57,026 --> 01:11:58,527 Women: ♪ COME ON, LET'S DANCE! ♪ 1520 01:11:58,594 --> 01:12:00,662 ♪ COLLEGE LIFE IS STORM AND STRIFE ♪ 1521 01:12:00,729 --> 01:12:02,831 ♪ AT LEAST YOU LEARN THE FACTS OF LIFE ♪ 1522 01:12:02,898 --> 01:12:04,867 All: ♪ SO LEARN, LEARN, LEARN, WORK, WORK, WORK ♪ 1523 01:12:04,934 --> 01:12:06,835 ♪ LEARN, LEARN, LEARN, WORK, WORK, WORK ♪ 1524 01:12:06,902 --> 01:12:10,673 ♪ LEARN, LEARN, LEARN WORK, WORK, WORK ♪